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The concert started with Hanacpachap Cussicuinin, which reminded old heroic epics by its every sound. After beautiful Intrada 1631 by Stephen Montague, choristers performed liturgical music by Cayetano Pagueras. The cycle of three pieces, which were different in their tempo and character, was full of spiritual power that made people become a part of something bigger, mysterious and sacred. Chôros No. 10 by Heitor Villa-Lobos made a big contrast because it was less harmonic and more complicated in its structure and sounding. Impressive combination of music and vocal again proved the fact that music could communicate the message of the composer better than words.
After a short intermission, choristers performed The Promise of Living. It was the most beautiful and pure piece in the program of the concert. It reminded of childhood memories, home and beauty that surrounds those sacred places that dwelled somewhere deep in my heart. Maracatu de Chico Rei was the last piece in the program. It was quite long and consisted of 8 parts. It expressed the power of living through music and traced great Latin rhythms.
Overall, it was a great concert and a little journey to Latin America. All pieces performed during the concert were associated with different aspects of living. All of them were beautiful and each attendee could found the tune to fall in love with. Hopefully, it would repeat the future and I would be able to feel the power of Latin American choral music once
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Moreover, culture is also celebrated largely as it gives people a sense of belonging, and makes them appreciate their roots as well as their talents and abilities. People celebrate culture in a number of ways, such as, music, dance, and concerts. People’s culture is also seen in art galleries, theaters, museums and even exhibitions.
The hall was already full when I arrived, which was what I expected least. At the start of the live concert, the New Horizon Brass Ensemble headed by Kate was seated on the podium; women wore black dresses or pants, and males in the band wore tuxedos. Kate, who was the band leader and concertmaster, came out to coach the band, while the conductor entered the hall to make a brief introduction of the performance that was almost to be staged (Range & Smith, 1999).
res in the music industry, as well as, lecturers in music at well renowned colleges, the concert was the talk of the week well ahead of its actual dates, and I just could not wait for it. No advance tickets were availed, and all the attendants had to obtain them at the entrance.
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
Due to the fact that the concert was held indoors, it allowed the set-up crew ample time and space with which to setup the perfect lighting arrangement. As many concert goers know, lighting is an integral part of any show. Sometimes, when
Although the concert was a mutual effort of the whole team, yet the main performer was Kate Wohlman. She was the special guest at the concert and performed Faure, Debussy, Poulenc, Argell, and Broughton. The School of Music sponsored her.
The first piece to be discussed is Vivaldi’s The Four Seasons for violin and orchestra, Opus 8, Nos. 1-4. In these four concertos, referred to Le Quattro stagioni, Vivaldi incorporates three different movements. The
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
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