Recording Music - Essay Example

Recording music is the primary or key text of an artistic piece. It is the reference point, which gives the musical idea its meaning. Switching the key text allows for the interchange of ideas, approaches, priorities, and processes between what is created under total control and that which is created by chance. The speaker alluded that recording makes music repeatable and takes it out of the time into space dimension.

If music is unrecorded, it will evaporate as soon as it is produced. Musicians seeking life’s ephemera have long looked for ways of recording and producing the pieces (Holmes, 2012). Recorded music allows one to listen again and again hence becoming familiar with the details that might have been lost in the first listening. Once the individual is familiar with the details, creativity can set in as he becomes more positive about the details that were not intended by the composer making it possible to produce a completely new thing.

Composers are, therefore, keen on supplying quality materials that are captivating in the first hearing. She also said that music studios should not just be recording houses, but should act as laboratories for conceptual thinking. Once one gets in a studio, the environment and musical instruments can give the person an idea about music. In the studio, a producer will have time to coach the artists or musicians in beats and voice quality, creatively guide the process, and supervise it through mixing and mastering.

These will ensure the production of a high-quality piece good for the first listening. Technology has today simplified the work in the music industry. It is easier for a producer to produce high-quality music without the use of instruments. Music producers in most cases are competent composers or songwriters who can constantly inject new ideas into a project (Landy, 2013). He or she will often select and suggest to the mixing engineer what to record, edit, and modify the songs with software tools.

This creates a stereo of all the artists’ voices and instruments to produce a high-quality soundtrack. The composers must be, therefore, communicative and meaningful in their music. She talked about Nyman’s process of music, an audible or concealed process to the listeners. This is a very dynamic and highly complex process that involves audible structures in musical performance. The chance determination limits the composer’s powers in determining the materiality. This means that one can take an idea, put it through the process, and wait for the outcome, which the idea will generate by itself (Nyman, 2000).

The process gives the performers a chance to move through the suggested or given material at their own speed, useful for an in-depth understanding of the whole idea. It also helps in a detailed understanding of what was not understood during the first listening thus making recording more relevant. The presenter also encouraged the use of technology to capture or record musical ideas with the aim of repeated listening to manipulate, recreate, recycle, and cannibalize these ideas in order to produce quality stereo.

By manipulation, new music may be developed depending on the creativity of the listener or composer.