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The true romantic melody introduced later on by the mellow strings in the theme symbolizes the melody style of the 1930s The symphony used here consist of an English horn, two bassoons, piccolo, 2 flutes, 2 clarinets in B-flat, contrabassoon, 2 oboes, 4 horn in F, 3 trombones, 3 trumpets in C, tuba, snare drum, harps, cymbals and strings (Simmons, 2004). The noble, warm and soothing sounds of horns provides the color signature and signify thematic leadership in this symphony and epitomizes the 19th century Romantic sound from Mendelssohn to Tchaikovsky.
The onset of the major movement begins by a dark three-note with an ascending motive being heard from the winds forms the introduction to the traditional sonata-form movement. Acceleration of the tempo forms the introductory part of the descending theme Holds the whole piece together and throughout the three movement actions of the composition, it returns severally – both as section tutties and solos. In a sense, it functions as sort of a “thematic glue” that binds the entire piece of music together The horns are launched in the culmination with a vibrant whoop of ballyhoos derived from the slogan theme, and later on expanded into an exhilarating horn-led brass opening at the midpoint of the movement midpoint (Cohen, 2006, p.
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