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The space was primarily designed for engaging music performances, as can be observed from the hall environment. The hall had an entry and exit point in opposite directions for the performers. The seats were designed in an elevated manner, so that viewers can have the optimum viewing experience.
One of the finest pieces in the whole lot of performances was performed by Robert Buxton, the last performance of the concert, from the play ‘Huit Preludes’ of 1929. The original performer of the actual play was Olivier Messiaen (1908-1992). The play was performed with the help of three basic elements of music, namely the form, tonality and style. Tonality played an integral role in the piece as it represented the sensation of centrality of even a single note and chord of music being played. Form is another important element of the play, which can be termed as the shape of music, along with its contrast and repetition. Style is the third important phenomena of the play, which represents the way of combining the characteristics of melody, form, harmony and texture within the music1.
I appreciate the piece performed by Buxton at the end of the concert. I like the play as Buxton had performed it really well by trying to maintain the standards in accordance to the actual performance. Furthermore, I felt that the play was well performed as it suited the stage environment and ambience prevailing within the concert hall. Moreover, the play ‘Huit Preludes’, is one of my favorite from the past and hence I encountered a feeling of satisfaction and joy, as I watched the play performed by Buxton. I was deeply overwhelmed with the performance since my expectation with regard to the past performance was matched with the present performance.
The other pieces as performed in the concert were somewhat similar to Buxton’s play, as they
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I took a seat quite near the stage where the musicians performed and this made it all the more interesting watching the concert from close quarters. The concert conductor was Emmanuelle Haim and the artists performing at the concert were the Los Angeles Philharmonic and the Soprano Sonya Yoncheva.
The hall was already full when I arrived, which was what I expected least. At the start of the live concert, the New Horizon Brass Ensemble headed by Kate was seated on the podium; women wore black dresses or pants, and males in the band wore tuxedos. Kate, who was the band leader and concertmaster, came out to coach the band, while the conductor entered the hall to make a brief introduction of the performance that was almost to be staged (Range & Smith, 1999).
The concert by ‘The Stony Brook Symphony Orchestra’ took place at 8.PM sharp on Saturday, 9th March, 2013. The Concert Conductor was George Manahan . The program comprised of ‘Scherzo a la Russe’ (1945) by Igor Stravinsky (1882 -1971) a ‘Viola Concerto,’ Op.37 (1979) by Miklos Rozsa (1907 – 1995) and the Concerto Competition Winner for 2011 – 2012 – Chieh – Fan Yiu, Viola that took place before the intermission and this was followed by ‘Enigma’ Op, 36 (1899) by Edward Elgar (1892 – 1955) comprising of ‘Variations of an Original Theme for Orchestra.’
res in the music industry, as well as, lecturers in music at well renowned colleges, the concert was the talk of the week well ahead of its actual dates, and I just could not wait for it. No advance tickets were availed, and all the attendants had to obtain them at the entrance.
This paper presents a brief analysis of the song Milonga de angel along with a review of the concert as a whole.
The milonga precedes the tango music style. Most of the milongas are fast. They are conventionally lent a solid rhythmic character by
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The first two compositions affected me in absolutely different ways taking me to emotional stages which are not the same due to my personal circumstances. The third composition was a culmination of the concert which made me close the eyes and stay till the audience had left. The most intimate moment was when the last notes were in your heart.
ming soar but since she participated and won the second place in the Chinese reality singing competition I AM A SINGER by Gloria Tang Tsz-kei, we were still surprised that her debut and rhythmic concert still sold out very quickly, she had to add a second and third show to
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