Chinese new year concert report - Essay Example

Chinese New Year Concert Report The February 22nd Chinese New Year Concert by the SYGQ Choir & ShenzhenOrchestra had been anticipated by symphony lovers, and particularly in the wake of the class assignment that had been given. It was it would be a convenient opportunity to take stock of a personal knowledge in music as well collect enough materials for the class assignment, besides the opportunity provided a chance to gauge personal skills versus those of the professional performance. At 2:30 P.

M, the artists approached the stage from the backstage, and the audience gave them a round of applause before they began actual performance and from they did bow and waved back to the audience in acknowledgement. The mood was expectant and the audience waited with bated breath, and thirty seconds later they took their positions relative to their instruments and began playing a variation of the songs beginning with their peculiar rendition of this classic Chinese song ‘ask the sky and earth’.

This paper shall review the concert and their performance on stage on different fronts. Peeking into the audience, it was noticeable that the majority of those in attendance seemed to be of Chinese ethnicity, and a sprinkle of the Caucasians. The song that has been mentioned above implies a gentleman expressing a forbidden love between him and another female character. Their movement during the performance was impressive, as the slow consistent movement had tact. The first key pressed must have been a chopstick, then the tempo of the recital picked up but within the constant cadence.

The assured performance by the orchestra could portray one important point that they were being moved by the song, in a manner which could echo a gentleman conversing with the lady. The slow performance rthymic performance captured the gape of the audience quite fittings, as a look glance around the Flint Centre showed positive approval of their performance. The six minute cameo recital in mid performance began floating emanating rich, grand and delicate rhythm. Without doubt the song through the mid performance began to convey the message for which the dong had been composed the gentle throb of the combination of black and white key could never be ignored and forgotten.

In fact this paper is quite a frank resonance of the sound that was heard in the concert hall. It is common knowledge with the academic music discipline that indeed music is one if the external factors that stimulate the brain. In this combination, the rate of the notes can be described to range from a walking pace to a quicker pace that is also lively. The tempo changes from the initial slow walking pace at the start of the presentation to a more lively and quick pace before receding back to a normal walking pace and continues to toggle between the two paces.

The melody of the recital can be described by a short but fast shifting motive. The composer uses about four notes that the shift rapidly from one set to another. At the introduction and throughout the piece the energy and vigor depicted in the melody gives the recital a jovial or celebratory atmosphere and mood. The vigor and strength that is depicted in the piece can be likened to the mood of a carnival or an active musical dance. The harmony of the recital is also varied between an interval and a chord, and the introduction of the Das Yellow River by Tan brought the audience to its feet as the general harmony is an interval sounding at most two notes at a time.

In the later stages of the piece, it shifts to a chord but turns back the harmony back to the interval. At the intervals, there is an underlying melody that supports the harmony. In the subsequent groups of chords, the melody is not very clear, and the progression is achieved in the recital, and the variation between the interval and chords in the piece creates musical motion in the presentation. Musically it is expected that where the interval is supported by an underlying melody and the audience perceives a level of stability, the harmony is referred to as consonance.

However, in the case of a turbulent and unstable set of chords, the harmony is referred to as a dissonance. The texture of the presentations could be described as both thick and thin, and the performance of the first piece’s the texture can be described as polyphonic. The description of the texture is because the presentation is a concerto performance that is accompanied by any vocals, and a good example of thin texture is that which contains only one part like a solo voice that is not accompanied by anything.

However, some composers might have the opinion that this piece does not have a thin texture. The argument would support the counterpoint composition, and in this style of composition, the composer used the underlying harmony which is overrun by the tone of the piece. This is a texture referred to as Melody and accompaniment, and in this case the piece would be described as polyphonic in nature. The orchestras were able to musically connect with both the audience and the performance, and their body movements indicated this during the performance.

They gave a good and direct introduction to the audience and right from the start the audience would know what to expect. The audience applauded the performers from the start, and their appreciation for the performance was also given at the end of the performance, a show of appreciation for the performances.