The Adventist Church National City Concert Report - Research Paper Example

The Adventist Church National City Concert Report There are various concerts that have been held across the world that have been described to be the most interesting. Such concerts have always been attended by a large group of people. There are various aspects of concerts that make them appealing and interesting to those who attend. One of the elements is that the concerts showcase rich cultural aspects possessed by an array of groups across the world. Another appealing point is that concerts feature a lot of entertainment. However, all these depend on the theme that the concert has been accorded. One of the recent concerts is that which took place at the Adventist Church National City. The Venue and Time of the Concert The concert was held at the Paradise Valley, in the 7th Day Adventist Church National City. It was on a Sunday, 3rd March 2013. The concert kicked off at 7.00 pm and rolled through the night, with its activities extending to the next day. This was punctuated by some breaks. The Program The comprehensive program of the concert was organized as follows Prologue (Castellaw Joel) 1. Scherzo (after act 1) 2. Incidental music (Act II. Scene 1: A wood near Athens—Enter Fairy and Puck Fairies March (Act II. Scene 2: Enter Oberon and Titania—with their trains) 3. Song, with chorus (Act II. Scene 3) 4. Incidental music (Act II. Scene 3: Another part of the wood—enter Oberon 5. Intermezzo (after act II) 6. Incidental Music (Act III. Scene 1: Enter the Mechanicals) Incidental Music (Act III scene 2: Another Part of the wood) 7. Nocturn ( After Act III) 8. Incidental Music (Act IV. Scene 1: Another part of the wood) 9. Wedding March (After act IV: Theseus Palace) 10. Incidental Music ( Act V. Scene 1: Enter the Athenians) 11. Dance of the Clowns ( Act V. Scene 1: Bergomask) 12. Incidental Music (Act V. Scene 2: enter Oberon and Titania with all Fairies) The interesting bits in the concert presentation The concert was governed by a program, which, in my view, presented the event as become the most interesting. There were various items on the program, but were all characterized by intercessions of songs and plays. In particular, a story was told before a song followed. In my view, this aspect of intercession was meant to address audience boredom; hence, making the concert to be particularly interesting. Perhaps, one of the unique aspects of the concert was that its program featured a Midsummer night’s dream, which was recited production by F.Mendelssohn, which was based on the Shakespearean play. In this regard, there might also have been no interesting bit of the concert other than the music brought with it the history live on stage. The concert was attended by many people across various groups, including the interested locals and the tourists. The Midsummer night Dream featured Grossmont Symphony Orchestra, as well as the women of the Grossmont Master Chorale. Randal Tweed was the music director, but also featured Darron Devillez, Bonin Zackary, Albert Bolina, Andra Nagby, Denise MaMillan, as some main actors, actress and soprano team. These are the figures the figures that are argued as the Most-attend-when-playing. Another interesting bit in the concert presentation is the fact that customs were highly highlighted. These depicted in terms of the songs, the costumes and themes in the items. The presentation was that which took the audience to the life in the medieval societies, documenting the differences in the customs in the current world and the gone days. For example, in the past, men wore four pieces of clothing that were considered essential. The first piece of clothing was the shirt or Camicia. This was won as an undergarment. The men belonging to the upper social class would wear camicia made of soft linens or silk while those in the lower class wore camicia made up of heavy and coarse linen. A gusset would be inserted under the camicia to make the garment stronger and comfortable. In the initial stages, the camicia did not have any embroidery on them. The embroidery only came in the later fashion developments. The camicia would be worn with cuffs and the embroidery consisted of the black and white strips. More often than not, the camicia would not be worn alone and if it did, it meant one was at work. The camicia would be covered with the doublet. The doublet was a close fitting jacket. Some of the doublets had sleeves while other lacked the sleeves. Doublets with long sizes would be complemented by small skirts. As observed by Baines (23), another common piece of clothing that featured in the concert was the hose. The hose would be won as an attachment to the doublet, which was the seamed with the crotch. In the initial stages, the hose was only worn by the laborers. The hose was woven to be worn tightly in order to attain a sense of smoothness, but this would only hamper physical activities. The jacket was the most common outer cloth that was worn by the common men. Later, in the 15 century, jackets would be worn over chests and shoulders, and then allowed to fall in pleats for belting at the waist. The huke-like jackets were an alternative fashion style. All these aspects of dressing were featured in the play. Nevertheless, even more interesting was how the songs and the orchestra blended with what was being presented. The songs gave the best of custom touch. In the essence, the song played the function that it would have been expected. The songs, with their suitable rhythms, functioned to stir the audience into the mood of what was to come next. Nevertheless, the songs also spoke about the information in the subsequent plays, thus; they did not only set the stage, but also presented the theme of the concert. In this regard, the performance of the concert can be rated as being quality. Work Cited Baines, Barte. The revival of Fashion New York: Drama Specialists, 1981. Print Read More