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One of the major developments in music artworks were in electronic music using several electronic instruments such as the guitar; and one of the best composers of this era was Edgard Varese who experimented with electronic music.
The 20th century musicians and composers had greater global influence as transportation had become faster which allowed musicians to travel more frequently and interact with a wide range of people or fans. Amplification was another technology which allowed people with the cheap tickets to listen to huge concerts and enjoy high quality music performances. As in all art forms, in music as well there were some great works recorded and distributed in this era. This era was also an era of psychological awareness as well as the after-effects of the First World War which had brought horror, fear, and disturbance of destruction and death for the people of Europe. In response to such influences, there were composers who focused on expressionistic music such as Arnold Schoenberg and some who used experimentation in new forms of music such as Edgard Varese. These composers received lesser fame and recognition but their techniques influenced the composers who followed them (Mabry 45).
Electronic music was one of the major developments in music artworks in the 20th century. It was developed in Japan, Europe, and America in the 1950s. The composers of this era dealt with the magnetic tapes which allowed them to record sounds and manipulate them in several ways. The electronic music consists of transmission through loudspeakers; however there are two major types; acousmatic music and live electronic music. Acoustmatic music is the one which is recorded and available for loudspeaker listening and live electronic music is the one in which electronic devices are used to initiate, transform, and trigger the music sounds in huge concerts and
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The History of Jamaican Music in the 20th Century and its Influence on 20th Century Music in the West. Jamaican music is defined by the emergence of a nation that was under a political construction during the 20th century where folk songs and historic influences from both English and African heritages.
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