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The instrumental roles of the drums are to provide brushes on the drums. Drums are beating out a categorical beat periodically as the performance ends (Ventnor43 2012).
ii. Melody statements-Melody assertions in the performance have a head arrangement. The head arrangement originates from the lateral thinking around the 12-bar blue sample that encourages the same. In the 2nd chorus, Basie controls this chorus line with a head arrangement that commences with a two-chorus icebreaker (Ventnor43 2012).
4th Chorus: George Hunt comes into his solo on a trombone and the timbral distinction changes from the 3rd chorus so that the brass is soloing forthright and the reeds go together with the background (Ventnor43 2012).
The name of the solo to be analyzed is the third chorus performance. This solo engages Herschel Evans coming into his solo on a saxophone escorted by riffs from the brass division. The solo was successful because it was such a popular tune and so simply accepted (Ventnor43 2012).
My emotional response is that the solo was normal for big band swingers. The solo was normal between the soloing reed tone and the brass supplement. I liked the timbres because they were distinct and utilized to start out one chorus from the next. Even though Basie is not the only black artist to have endured pain this way, One O’clock Jump” pulls it out the best (Ventnor43
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This jazz piece was performed live in Belgium in the year 1958. (Unterhose123 2012) Brief Report on the Performance of “Blues after Dark” This composition is based on a minor scale. The root or anchor note of this composition is F. the starting chord of this composition is F minor.
One would have thought that since I grew up on country music, I would have been able to get through this assignment. My father was a great fan of country music but I personally never bought into the notion. I can recall as a youngster being irritated instead of inspired by country music and after doing this assignment, I can honestly say that the irritation has not left or dissipated in any way.
tening with all of one’s senses” ("Developing effective communication," 2007) which exemplifies the importance of the process as of being more than just hearing. In an effort to understand and integrate effective listening skills; I recorded an interaction between myself as
After carefully going through the video the group techniques that can be observed are collective riffs where certain portions are repeated by a section and then there are soloists who do their piece in turn with others from other sections. The head riffs, which refers to the
The pianist starts playing the keys setting the groove and the tone for the music piece. The bass comps at a low pitch. The technique used is that of slap on the headpiece. The drums keep the pace or groove for the performers and also play the
The Trumpeter pushes the limits of the trumpet as he plays fast and melodic lines in all of the instruments registers. This creates a fast and nimble feel to the composition and gives the characteristic cool feel of the song. The trumpet provides the trendy fast tune from
There was comping all through the song by the piano. The double bass provides a walking bass effect together with the drum set. It was plucked to every drum beats from start to the end of the song. There is also some ride
Other members included Bobby Timmons the pianist, Jymie Merrit on the bass, Benny Golson the saxophonist and Lee Morgan who was the band’s legendary trumpet player (Lesslie 12). Blakey and the Jazz messengers recorded most of their music with
My listening behavior at the service center was not very good as I tried to persuade. I did not listen to the viewpoint of the support official properly and kept on saying that the cell phone had already some bug in it. However, I managed
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