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group of musicians like the group of three trumpeters, saxophonists, and trombone players and the soloists like the pianist or cellist or the drummer take turns to improvise the piece based on what was performed by the musician(s) before him.
Riff refers to short relaxed phrases being repeated over varied melodies. In this piece the complex riff structure in the head arrangements or collaborative arrangement that was memorized and not written down.
The visual appeal in the video is remarkable. The video displays the musicians’ prowess and their rhythmic motions to the music mark the beginning of the swing era. The swing music was gaining popularity at the time and the Jazz Big Bands were a reflection of the times.
The trumpet solo was very significant. The musician starts from low tone and displays a wide range in tone during his solo. He is preceded by the saxophone soloist and succeeded by the piano solo. The trumpet lends to the bouncy beat and light mood of the music piece and is very well placed in the sequence.
The visual elements as discussed previously is enhanced with the lighting effects where the lights fall on each sectional as they play out their piece starting with saxophone players, the trombones and their head motions imitating the music and then the section of trumpet players. The One O’Clock Jump ends with all the players playing a repetitive phrase with variations in tone and melody and the catchy beat almost like a dance beat lends to the charm of the song. Why this jazz song became so popular is not difficult to understand. The overall performance is quite astounding. The light and fluffy rhythm has an energetic feel that is easy to swing to and uplifts the mood instantly. The complex riffs played out by the ensemble is very melodious and the sequences played out all seem to fit in perfectly and hence it is no wonder why it has come to be considered as one of the best songs of the
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This jazz piece was performed live in Belgium in the year 1958. (Unterhose123 2012) Brief Report on the Performance of “Blues after Dark” This composition is based on a minor scale. The root or anchor note of this composition is F. the starting chord of this composition is F minor.
tening with all of one’s senses” ("Developing effective communication," 2007) which exemplifies the importance of the process as of being more than just hearing. In an effort to understand and integrate effective listening skills; I recorded an interaction between myself as
Management functions can be categorized into four principle functions that need to be addressed for efficient achievement of organizational goals.
The first organizational function is planning where a manager is required to identify the organizational
After carefully going through the video the group techniques that can be observed are collective riffs where certain portions are repeated by a section and then there are soloists who do their piece in turn with others from other sections. The head riffs, which refers to the
The pianist starts playing the keys setting the groove and the tone for the music piece. The bass comps at a low pitch. The technique used is that of slap on the headpiece. The drums keep the pace or groove for the performers and also play the
Stride piano reveals the piano-like features of soloists playing the bass. Basie’s piano appears as if it is practicing some modest type of piano expression (Ventnor43 2012). The instrumental role of the base is a ride pattern. The
The Trumpeter pushes the limits of the trumpet as he plays fast and melodic lines in all of the instruments registers. This creates a fast and nimble feel to the composition and gives the characteristic cool feel of the song. The trumpet provides the trendy fast tune from
There was comping all through the song by the piano. The double bass provides a walking bass effect together with the drum set. It was plucked to every drum beats from start to the end of the song. There is also some ride
Other members included Bobby Timmons the pianist, Jymie Merrit on the bass, Benny Golson the saxophonist and Lee Morgan who was the band’s legendary trumpet player (Lesslie 12). Blakey and the Jazz messengers recorded most of their music with
My listening behavior at the service center was not very good as I tried to persuade. I did not listen to the viewpoint of the support official properly and kept on saying that the cell phone had already some bug in it. However, I managed
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