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Importance of songs and music in bollywood films - Essay Example

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Since the inception of Indian commercial films, all film have had a musical format with six or more songs in one film. For many decades, the music that has been used in the movies has been the popular music…
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Importance of songs and music in bollywood films
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"Importance of songs and music in bollywood films"

Download file to see previous pages Ganti (2004, p. 13) describes presence of music in the films as a ‘masala’ which literally means spice. This captivates the audiences and makes the movies more interesting. Arguably, because of the interesting and captivating nature of the films, the people will in turn buy more of the films and thus record high sales for the Indian films. This has been the case since Bollywood films dominated Asian market.
Music has for long been used in films to construct narrative. Morcom (2007, p. 31) notes that narrative is not only structured by visual means but also through music. Music functions as part of the process that broadcasts narrative information to the audience. In essence, music is a narrative agent. Emotion, mood, characterization, point of view and the action in the films are all structured in a multifaceted visual and oral interaction in which music is a significant aspect. Punathambekar (2008, p. 16) demonstrates the role of music and its significance in the Bollywood films through application of the linguistic tool to the film studies. From his application Punathambekar (2008) noted that any music can be used in a film but will be accompanied by different meanings (p. 18).
Bollywood film makers have for long made no efforts to hide the fact that what the film represents on the screen is an illusion, a creation and a fiction. This implies that Indian films are self-conscious and aware of its audiences. The sequences of song and dances in the films break away from the practicality of the cinema and exist within a different modus operandi. These changes between distinct modes of pragmatism cause the cinema to be conscious of its illusionary set-ups (Ranade, 2006, p. 56). The audience by this time must apprehend the break in practicality, causing a relationship between the movie and the audience that is distinct from the Hollywood ...Download file to see next pagesRead More
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