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Lives and Path of Development of Johann Sebastian Bach and Pyotr Ilyich Tchaikovsky - Essay Example

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The research evaluates lives and path of development of Johann Sebastian Bach and Pyotr Ilyich Tchaikovsky. There is a faint link of continuity between the works of Bach and Tchaikovsky, though the latter’s work incorporated such elements that differ drastically from the trends of each other…
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Lives and Path of Development of Johann Sebastian Bach and Pyotr Ilyich Tchaikovsky
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"Lives and Path of Development of Johann Sebastian Bach and Pyotr Ilyich Tchaikovsky"

Download file to see previous pages According to the research findings, it can, therefore, be said that if we carefully study lives and path of development of musicians, we will find that they not only have incorporated the elements of musical mastermind in their works but at the same time one of the main reasons that their works have survived the onslaught of time that they have incorporated their respective philosophies of life in their works. This is, perhaps, the most important reason that as we listen to their compositions we receive a unique boost to live as well as aspire for the enlightened future. In this context, it will not be much irrelevant if we focus over the development of two musicians to their musical maturity, it will be easy for us to understand that how they have developed as a genius and how they have inspired the tradition of musical maturity from a global perspective with their genius. Johann Sebastian Bach is one of the most influential figures in the history of world music and the tradition of baroque music was greatly influenced by the musical mastermind of this great genius. Albert Schweitzer, while evaluating over the appeal of Bach, has commented, “We argue about absolute music, tone-painting, programme music and tone-language as about actual fundamental problems, and think it a matter for historians only that tendencies toward tone-painting, programme music, or avowed musical narration were noticeable in Italian, German and French music as early as the seventeenth and eighteenth centuries. However, primitive the pictorial and poetic music of the two or three generations before Bach may have been, in respect of their means and possibilities of expression, we can see  in it the same instincts and pretensions as in the most modern and most subtilized programme music of a Liszt or a Strauss.” ...Download file to see next pagesRead More
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