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Placing African music in an historical and social context, brings to the fore the compiling of notes on the social context of African music; on African history; on the popularization of African music and on the instruments and styles of African music. The following text has been put together and a bibliography and appropriate reference is supplied at the end of the article.
Africa covers about 11,714,000 square miles (30,339,000 square kilometers), more than a fifth of the earth’s total land area. The continent is an enormous plateau, most of which is covered by deserts, forests and grasslands. It is this vast mass of land that held the immense treasure of Africa called music.
Music has been culturally part of and developed in Africa for thousands of years. Its wide range of styles evidently showed much of the country’s landscape. In northern Africa, music follows Arab traditions that consist mainly of chants and the use of various northern instruments but as shown but African music has also spread southward and influenced the music of peoples in parts of Chad, Ghana, Mali, Niger, Nigeria, Senegal and Sudan.
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The sense is that American music reflects and comprises in all its numerous genres and styles various influences and tendencies, which were brought into American culture by immigrants. Probably, the most important and powerful factor that has affected American music in general, and rock and pop music in particular, is defined as African-American identity (Nicholls 134). However, there are also a lot of various aspects in European, Latin, etc.
In such a way it becomes obvious that music has a special and important place in African American life. Thus, the question is too broad to be dealt in one page and the main purpose of this essay is to answer the question how music has influenced African American life, 1619-2011, using spirituals as example.
The book is both a personal as well as a touching account an astute and seasoned insight into the African musical culture and is a must read for anybody interested in Africa. In the book, Chernoff is deftly able to convey an essential understanding of how music works.
As a child he was not very interested in the toys themselves but used to beat them to produce a sound. Sekou Toure, the president of Guinea at that time wished to gather talented musicians and singers to form the National ballet that would promote the Guinea culture across the world.
These various categories of goods are divided by department and each department is headed by a department head responsible for the functioning of his or her department. While department heads take are responsible for promotion, personnel, buying and other controls within the department, the central management sets broad policies regarding the type of merchandise, prices, customer service, chain wide advertising and other decisions that affect the entire chain.
Africa is large, imposing and omnipresent (Rockwell, 1981), not just because of its size and the harshness of its territory (Africa is four times the size of the United States), but because it is the birthplace of all humanity, and that in itself makes the continent appear larger than life.
Despite the fact that West African music differed from one region to the other, all cultures within this region shared sufficient features that enabled them to constitute a heritage that was identifiable as African when they were trans-located to the New World (Jackson 25). From the accounts given by early traders and explorers, it has been deduced that music was a lifestyle of these West Africans.
Africa is generally known to host numerous cultures due to the different language speaking populations, even after the influence of colonial languages (English and French). Countries like Nigeria have more than 500 languages; East Africa, Uganda, Tanzania, Burundi, Rwanda, and Kenya have approximately less than a total of 250 languages with identified speakers.
From the Sub-Saharan Africa, where the first known African music originated, this music has travelled to America through slavery, and has eventually developed into the great music that it is now, at a state which is presently symbolic of freedom. Indeed, regardless of the time in history, African-American Music is always a proclamation of the liberation of the Black American.
Group music is performed by a group of individuals for the enjoyment of the same group. Listener’s music, on the other hand, is performed by professional musicians for the enjoyment of an audience and monetary
Journal article analysis entails demonstration of understanding and comprehension of the article, and critical evaluation of its content; ideas and information (Lemos, 2007). This analysis comprises several sections; the introduction, which offers a
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