Nobody downloaded yet

Japanese Popular Music - Essay Example

Comments (0) Cite this document
J-Pop stands for the Japanese popular music that has today become a craze in the US, Asia, Europe and Australia. J-Pop happens to be an Asian musical genre that slowly evolved over a long period, meticulously and sometimes inadvertently incorporating elements from the Japanese folk tradition and the contemporary Western pop culture…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER91.6% of users find it useful
Japanese Popular Music
Read TextPreview

Extract of sample "Japanese Popular Music"

Download file to see previous pages ers, who though being naturally conversant with and affiliated to the ancient Japanese musical traditions, were really open minded towards the influences extended by the American, British and European artists. Hence, J-Pop is not steel jacketed or a rigidly monolithic entity, but a pliable and variegated concept that comprises of all the current genres of Western music that one can think of. Therefore, it is not a surprise that J-Pop is oft blamed of pirating beats and lyrics from the Western musical scene (Japanese Lifestyle, 2009).
There is no denying the fact that the primary source of inspiration for J-Pop is Western pop music. However, it will be grossly simplistic to say that J-Pop is merely a pirated Japanese version of the original Western pop compositions. The motivation for the assimilation of American and British pop influences is enshrined within the history of modern Japan. As Japan became respective to the foreign ideas and influences in a post II World War scenario, it was natural and inevitable for its fledgling pop culture to be colored by the more virile Western music scene. Hence, this is a reality that most of the J-Pop artists look towards the West for new ideas and inspiration. Still, the real forte of J-Pop is its unique ability of subjecting the Western compositions to a distinctly local influence that alters them conspicuously, thereby giving them a very discernable Japanese pop flavor (Japanese Lifestyle, 2009). Thus, the Western audiences are though often able to identify the sources of motivation of some J-Pop compositions, still they simply could not resist appreciating the implicit uniqueness and ingenuity of J-Pop.
In fact, it was J-Wave, a local FM radio station that christened this distinctly Western version of the...
Just a decade ago, a majority of the J-Pop artists looked towards Western markets to realize their ambition of becoming an overseas success. Despite enjoying a close cultural affinity with the neighboring Asian countries, the J-Pop artists were reluctant to foray into the Asian climes owing to fears of large-scale piracy . Yet, it is a fact that a majority of the Asian masses being unable to identify with Western songs and compositions are more receptive and open to J-Pop. Things are fast changing and Japanese music companies are responding to this propitious opportunity by resorting to aggressive marketing in Asian countries. At present, Taiwan, Hong Kong and South Korea happen to be some of the largest markets of J-Pop outside Japan. The advent of the internet has further added to the international appeal of J-Pop. With the works of celebrated J-Pop artists available on online retail stores, the musical side of the Japanese popular culture is expected to be further globalized. As J-Pop is getting international, even Western audience are succumbing to its appeal, as it is really ease to respond to the essence of J-Pop compositions even if one does not understand the lyrics.
J-Pop happens to be an essentially Asian music genre that reluctantly began as an outcome of the political and cultural constraints, limitations and opportunities that faced the post War Japan. An aesthetic trend, which started with an urge to appeal to the taste of the victorious Western audience, very soon ended up having a distinct identity of its own. All that was needed was a cosmopolitan platform and astute marketing possibilities that were facilitated by the TV and the internet. Today J-Pop is an art form whose sway is destined to proceed beyond Asian markets to win the loyalty and fan following of the Western masses. ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
(“Japanese Popular Music Essay Example | Topics and Well Written Essays - 2000 words”, n.d.)
Retrieved de
(Japanese Popular Music Essay Example | Topics and Well Written Essays - 2000 Words)
“Japanese Popular Music Essay Example | Topics and Well Written Essays - 2000 Words”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document

CHECK THESE SAMPLES OF Japanese Popular Music

Popular Music in America

...Popular Music in America Introduction The impact of technology has been invariably felt across most segments of human life ranging from education, entertainment, medicine just to mention a few; nevertheless, there are few areas where technology has had as significant effect as in the music industry. In the course of the last 5 decades, virtually every aspect of music has undergone a paradigm shift riding on the wave of technological developments and making the two inseparable in a myriad ways. Retrospectively, musicians would play music on their instruments and record it in any one of the few exclusive studios which would then edit the music before recording it in audio or video tapes and distributing it to the fan base. Granted... in the...
8 Pages(2000 words)Essay

Analysing Popular Music

...MUM810 Analysing Popular Music Resit Work Chanunya Choonak ID Number: 634822 Supervisor: Frank Millward Jesus of Suburbia: Green Day What does Green Day Reflect Regarding the Role of Spirituality and Postmodern Connection in Teenage Life, Society, Politics and Culture in ‘Jesus of Suburbia’ Among the leading Punk Rock bands of the mid1990s is an American group called Green Day, comprised of Billie Joe Armstrong (guitarist and lead vocalist), Mike Dirnt (bassist) and Tre Cool (drummer), emerging from East Bay California (DeRogatis, 2003).1 With their unique sound and style, they have sold more than 30 million albums in the United States, and...
11 Pages(2750 words)Essay

Music in Japanese Animation

...Productions that produced Mighty Atom, the studio’s first hit and also the first popular animè television series in 1963. By 1963, four television animation studios were opened for animators. Animè music in Japan started from the earliest days of Japanese TV animation, since the time of Tezuka’s Mighty Atom. Most of the TV animè used to have separate opening and ending title-credits theme songs earlier, there was just one verse in each theme song, which later extended up to three verses. Almost all the animè features used to have an opening-title theme song and at least one more soundtrack in the film. As most of the television animè series were fantasy-based or sci-fi stories meant...
8 Pages(2000 words)Essay

Does the concept of authenticity have any value in the evaluation or appreciation of Japanese popular music If it does, what makes a work or musician authentic, or inauthentic Give examples and discuss

...occupying forces. These musicians had first to interact in lengthy with American musician in order to learn the recording forms of pop music because the American character of pop music is regarded as contestable (Levinson, 2011:7). The Japanese pop industry had to locate itself in an aesthetic hierarchy that would reinforce asymmetries of power and cultural prestige. The Japanese had thus to embrace the Japan-US relationship by placing American artist at the apex as innovators and the Japanese maintained as imitators. The idea of authenticity in the Japanese pop music has taken root in the idea of western...
8 Pages(2000 words)Essay

Popular Music

... Is popular music an appropriate way to re-engage unfortunate young people within inner city London boroughs? 1.1 Rationale The city of London is host to a number of disadvantaged young people who are looking for a way to express who they are and what they have experienced while once again becoming a part of society in a meaningful and purposeful way. The popular music industry is a way in which young people with a musical talent can re-engage and be supported through work and perseverance. As a major in arts management, finding ways to discover and develop talent will include looking in environments where struggle can become expressed through the arts...
4 Pages(1000 words)Dissertation

American popular music today

...AMERICAN POPULAR MUSIC TODAY American Popular Music Today Qustion1: What is the of popular music today? The of popular music today can be easily said to be bad. There are a number of pointers of the current bad state of popular music. The first pointer will be the lyrics that are used by the current popular music artists. Listening to the lyrics someone can easily notice that there is a lack of creativity. This is particularly true because there are a number of artists whose lyrics can easily be predicted. Another notable thing about the...
4 Pages(1000 words)Essay

Popular music composer

...A popular music composer Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart is regarded as one of the most gifted musical genius in music history. He is regarded to have perfected the classical music and is regarded by some as the most famous music genius of any field of history. Wolfgang Amadeus Mozart wrote 27 piano concerti, 41 symphonies, most of the chamber music songs, eighteen sonatas for piano, twenty-three operas, thirty-six for violin, church sonatas, for Cello, organ pieces, eighteen masses, four horn concerti and many more others. He is also regarded as the melody and lyrical quality supreme composer....
1 Pages(250 words)Essay

Popular Music, Culture & Politics

...Popular Music, Culture and Politics Popular Music, Culture and Politics The article chosen for critical analysis is d “Japanese Popular Music: Culture, Authenticity, and Power” authored by David Morris. Published in 2009 in the third issue of the Journal of Popular Music Studies, this article focuses on reviewing a book bearing a similar title. Morris’s article begins by denoting the explorative nature of Japanese music, associated business practices in modern Japan, advancement of media technology in the country, as well as, the significant role played...
2 Pages(500 words)Article

Japanese Music

... Shakuhachi After I have discovered the world of Japanese culture, especially music and musical instruments, I really want to try the flute, shakuhachi, myself. There is something special in this instrument, something that calms me down and makes me think positive. Ive learned that there are some differences between Japanese and Western flute. First thing that catches the eye is that they are different in form and material. Shakuhachi is made from wood (bamboo) and is smaller than the Western flute that is usually made from metal, but may be made from wood as well. Another major difference is embouchure. The Japanese one is a vertical flute, and we taut an upper lip, a lower lip stays relaxed, so the instrument can produce fuller... ...
1 Pages(250 words)Assignment

Interpreting Popular Music

...of structures controlled by the principles of dialect. Characteristic dialects and all other dialect like frameworks of signs produce the implications, which make up cognizance. In its established structuralist structure, semiotics considers the cognizant subject to be an immaculate result of dialect. Later semioticians have focused on talks- gatherings of suggestions that are liable to principles higher than those vital just to shape importance, for example, meter - and the contentions inside and between them. Likewise watching the psychoanalytic finding that people dont get to be social creatures basically or effortlessly, semiotics has been particularly inspired by the issue of the subject. Popular...
8 Pages(2000 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Essay on topic Japanese Popular Music for FREE!

Contact Us