This paper will discuss the Gamelan music - the traditional Indonesian folk music. The writer is using a lot of parallels in this essay, showing us how this native and ancient music is reach on different natural sounds…
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Ethnomusicologists trained in the West have always shown interest in Javanese and Balinese orchestral traditions because these types of music were always easily available in the US. Therefore, researchers and students have always remained focused on these varieties though the music from other islands like Borneo, Sulawesi and Sumatra also form integral parts of Indonesian music. In order to understand the music tradition of a country it is necessary that one should have some background information about its geography, religion, culture and traditions. Indonesia is a diverse cultural composite of 13,667 islands and it is a home for over a hundred different ethnic groups speaking more than 300 languages. The population is a mix of several major religions like Islam, Hindu, Buddhism and Christianity. Therefore, these catalytic factors have a great influence in shaping the art form of Indonesia, especially in music. Local beliefs and traditions known as adat – a native term for customs – play a significant role in forming the Indonesians’ religious practices. The adat ceremonies are marked by events like ritual sacrifices, communal feasts etc. The natives harbor a notion that the spirits of departed ancestors still remain somewhere near the community. Hence they pay offerings to the departed souls in hopes that the spirits will accept what they earnestly submit.
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His music was noted mainly for the sensory component it incorporated and its lack of formation around one pitch or key. A gamelan, from Indonesia, is a musical ensemble that features metallophones, drums, xylophones, bamboo flutes, strings, and the occasional vocalist.
Indonesian Music. It is believed that one cannot research, record and listen to all types of Indonesian musical genres. The music of Indonesia represents the rich cultures that exist in Indonesia. The music also demonstrates the effects of the various cultural; influences that have contributed to the evolution and changes that have occurred in Indonesian music.
Ki Nartosab Dho describes Javanese musical culture as Indonesian music that is played using two varying tonal systems that include the slendro and pelog. The music is played during performances such as in political and religious gatherings (Titon 330). Nartosab argues that the music is played using an orchestra, which consists of tuned instruments that are made from bronze.
It exists in all institutions of life such as in politics, social sphere and the economic sphere. Culture is expressed in the way of dressing, eating habits, behavioral patterns, music and the lifestyle of the people. These expressions are as discussed below based on studies carried out in China, India and Indonesia.
The word orchestra originally signified the section in ancient Greek theaters between the stage and the audience that was used by dancers and instrumentalists, between the stage and the audience that was used by dancers and instrumentalists.
This video features an old man, Tommy Jarrell, playing the fiddle for the whole three minutes and 15 seconds. He also sings at the same time. The fiddle is played as a background for a short documentary film about Sprout Wings in flight over a mountainous background.
After a short intermission, the second part of the concert began; it consisted of Gendhing Erang-Erang - Ladrang Opak Apem and Gendhing Irim-Irim - Ladrand Bayemtur - Srepeg - Palaran Pangkur - Sampak (laras pelog pathet
This paper is going to consider the ways in which various musical cultures have exhibited processes of cross cultural interaction. In addition, this paper is going to use examples of two communities and their kind of cross cultural
Gamelan ensembles are the Indonesia’s crucial musical icon. Gamelan ensembles together with music are an ordinary and inherent component of Indonesian culture. A gamelan ensemble has three main styles which include Balinese, Javanese, and Sudanese with several districts adopting the three. Gamelan has always been there in its instrumental type.
3 Pages(750 words)Essay
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