1 The standardization of the Western Music started during the Medieval Period which can be traced back between 500-1400 BC. During this period, several developments on musical art took place and one of which is the systematic organization of learning music for singers which was related to the so-called Gregorian chant…
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However, the music during this period was a combination of sacred and secular forms. Most of the songs sung during this time were mostly monotonic which were used for hymns and praise songs but later developed to polyphonic forms after the inclusions of instruments and the advent of musical notation system and musical theories. There was an immense alteration on the repertory during this period because of the incrementing efforts of incorporating manifold compositions of melodies and different tones. Eventually, despite the alleged defiance of the early fathers on the inclusion of musical instruments on church chants, there was an acceptance on the use of a musical instrument in church setting, initially, to support choristers in singing. The first instrument accepted to be used in church services was the organ. Secular music proliferated through the help of the French people and because of the aid of the music genius Guillaume de Machaut. Subsequently, songwriting also became famous. 2 Some other forms of arts were also observed to have close relation to music and were found to be in conformity to the development of musical art. Several primitive artworks were recovered in some parts of the world especially in Egypt where olden drawings on caves showing musical instruments, hieroglyphs and some passages coming from the Bible were discovered. These forms of arts are proofs or cues that predicate the existence of musical art prior to the Middle Ages, in fact, some claims that this could be traced back to the time of Pythagoras who, through Mathematics, helped in the establishment of music: “the first study of music as an art form dates from around 500 B.C., when Pythagoras experimented with acoustics and the mathematical relationships of tones.” 2 Many great composers came out during the middle ages. Some of the most famous and talented composers have lived during this time. Guillaume Dufay was a medieval composer whose musical artworks were made from the latter part of the medieval period up to the early Renaissance Period. His music was mostly serene and with perspicuous uniqueness. He also started to invent the four voice texture which is a very popular, important theme for polyphonic music today. Philippe De Vitry (1291-1361), was considered to be one of the most important composers during this era. He was the proponent of the famous musical theory Ars Nova and was one of the premier figures who developed motet. Further, he also discovered isorhythm: “a single rhythmic figure continually repeated by a voice.”1 Guillaume de Machaut who lived between 1300 and 1377 was the composer who made the famous Mass of Notre Dame. He was direly romantic and most of his compositions and poems were seen to have romantic impressions. In addition, he was also recurrently involved in royalty and political gatherings. References: 1. “The Medieval Era”. Library.thinkquest.org. library.thinkquest, n.d. Web. 7 December 2011 2. “Music History 102: The Middle Ages”. Ipl.org. ipl2, n.d. Web 7 December 2011 3. “Medieval Music”
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(CONCERT REPORT Essay Example | Topics and Well Written Essays - 750 Words)
“CONCERT REPORT Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.org/music/1471748-concert-report.
I took a seat quite near the stage where the musicians performed and this made it all the more interesting watching the concert from close quarters. The concert conductor was Emmanuelle Haim and the artists performing at the concert were the Los Angeles Philharmonic and the Soprano Sonya Yoncheva.
The hall was already full when I arrived, which was what I expected least. At the start of the live concert, the New Horizon Brass Ensemble headed by Kate was seated on the podium; women wore black dresses or pants, and males in the band wore tuxedos. Kate, who was the band leader and concertmaster, came out to coach the band, while the conductor entered the hall to make a brief introduction of the performance that was almost to be staged (Range & Smith, 1999).
The concert by ‘The Stony Brook Symphony Orchestra’ took place at 8.PM sharp on Saturday, 9th March, 2013. The Concert Conductor was George Manahan . The program comprised of ‘Scherzo a la Russe’ (1945) by Igor Stravinsky (1882 -1971) a ‘Viola Concerto,’ Op.37 (1979) by Miklos Rozsa (1907 – 1995) and the Concerto Competition Winner for 2011 – 2012 – Chieh – Fan Yiu, Viola that took place before the intermission and this was followed by ‘Enigma’ Op, 36 (1899) by Edward Elgar (1892 – 1955) comprising of ‘Variations of an Original Theme for Orchestra.’
res in the music industry, as well as, lecturers in music at well renowned colleges, the concert was the talk of the week well ahead of its actual dates, and I just could not wait for it. No advance tickets were availed, and all the attendants had to obtain them at the entrance.
This paper presents a brief analysis of the song Milonga de angel along with a review of the concert as a whole.
The milonga precedes the tango music style. Most of the milongas are fast. They are conventionally lent a solid rhythmic character by
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
ming soar but since she participated and won the second place in the Chinese reality singing competition I AM A SINGER by Gloria Tang Tsz-kei, we were still surprised that her debut and rhythmic concert still sold out very quickly, she had to add a second and third show to
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