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Ultimately, Blakey sets in the performance with his drum thus blending the mix proportionately. Benny Golson finds his way again after two and quarter minutes with his saxophone that purposes to offer liveliness and reality to the band. Lee Morgan halts but the other musicians maintain their respective roles in the band. Bobby Timmons seems to enjoy the music as he is seen very vibrant and also seems to follow everything closely. One can clearly notice the sounding of the drum set that Blakey bring into play to add rhythm to the piece.
All the five band members now come in but the trumpet is higher in pitch and tune, something that is noticeable. Lee Morgan seems to struggle so as to hit higher notes to maintain the pitch and to also upkeep with the rest in the performance. The jazz slows down and picks rhythmically. Blakey is seen stepping from behind the kit and gives a brief introduction about their platter that he does in a rush. Lee Morgan is the solo who seems more involved in this piece. Morgan is likely to have found solace in his trumpet that he deliberately sounds consistently to blend the music.
The trumpet is the most conspicuous in the entire piece thus Morgan is a key element in the band as he carries on strongly even when his colleagues slow down or even remain silent at some instances. He is seen to struggle to deliver the highest pitch ever in the performance but he still perseveres on. Only at some few instances does he rest although not so long like some other members. Lee progresses with success to the last point of the performance with a lot energy, lively and composed. Moanin’ Moanin’ was performed live in Belgium in 1958.
The band members include Art Blakey, Benny Golson, Bobby Timmons, Lee Morgan and Jymie Merritt who play the drums, saxophone, piano, trumpet and the bass respectively. This song is a rendition about the projects title that plays for nearly fifteen minutes and is basically a joyful piece of music more so to those who like the studio. Noticeably, the camera work has been done with excellence that makes the performance clear. The piece starts by the solo engaging the audience who in turn applaud the message.
The piano kicks off the performance as others join the accompaniment. Benny with his saxophone and the trumpet rest at some intervals after which the trumpet carries on for the better part of the piece with others on board too. At this point Benny stops and rests for the others to continue but joins at some point after which the trumpet rests. All except the trumpet are live and active with the applause from the being noticed. I remember Clifford I remember Clifford is the title of the jazz that was written by Benny Golson who played tenor saxophone.
This was done to commit to memory the life of Clifford Brown, who played the trumpet, after his death in an accident. These two were great band mates the entire album pays tribute to Brown with Lee morgan for trumpet, Art Blakey with his drums, Jymie Merritt for bass and Bobby Timmons playing the piano all on board. Timmons is seen moving his foot inconspicuously counting in the number being also in the speed and tone of the music. The entire band heightens the speed and pitch charging ahead where Golson and Morgan howl at the top of their ability thus displaying their prowess and might while at the same time revealing their respective insight and
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