Allemande: the Musical Voice of the Cello - Essay Example

?Allemande Allemande is played through the musical voice of the cello, giving a reverberatingly cool voice somehow imitating in voice the cool gush of winds on the forests. Musical notes seem to dance in a waltzing style through the fast and happy beat of the classic, making use of the cello’s wide voice range to construct a melody playing from the lower end of the pitch range, to the higher end and on the middle. Allemande’s composition consists mostly of repetitive movements or of movements with somehow similar style as the master style of the song. The song does make use of a lot of vibrato that it adds up to the regular yet well-placed interval pauses from the rapid and graceful movement of the lower notes. The ritardando placed from the transition from one movement to another adds up to the smooth switch from the two movements. The song seems to require a high-level technique of switching hand positions and powerful bowing and strumming of the cello. Adagio Sustenuto Adagio Sustenuto is one of the many popular classics composed by Ludwig van Beethoven that continues to be played today. It is more popular by the name “Moonlight Sonata”. The song makes use of a broken chord being played to harmonize with its well-arranged melody. It runs on a 2/4 rhythm being played as on the tempo of Adagio and sustains the entire song (thus the name). The song’s style somehow reflects a nocturne, in that it, in a way, describes a lonely and spooky feeling on its main movement style. The Crescendo-Decrescendo movement on a couple measures of its movements adds up to an eerie and spooky element on its melody. The pianissimo that is used to play the song adds up to the melodic movement of the song, emphasizing the element of nocturnes and of the adagio. Consequently, the gradual change in dynamics and tonal shading provides, somehow, an emotional outburst of resistance from an inviting melody at the start to a captivating and hypnotizing trance-like movement on the middle of the song. The song eventually ends in a movement almost the same to that of the first movement. Purple Haze The Purple Haze reflects Rock and Roll culture worldwide. The use of the electric guitar set on overdrive drowns the wordings of the singer in an electric mesh of sound waves. The thick musical background song of drums percussion and electric overdrive characterizes the up-beat and metallic rhythm to convey a message of a New World Pop Culture based on Rock ‘n Roll and Metal Gore. The song portrays a protest against the classics that is primarily based on techniques, forms, and structure, by changing everything and basing the song on expression and not just on the technique of the song. The use of untraditional sound effects of the song on the intermission part of the song where the lead guitar and the drummer bangs their instrument portrays an unconventional utilization of sounds to produce a musical composition that appeals to the ears of the public mass. Lyrically, the song seems to convey a testimonial of a user addicted to depressant drugs, or maybe an obsession to a beautiful girl. Crazy Crazy, like the previous song, Purple Haze, does not follow a uniform pattern for its movements, and just like the previous song, it expounds more on the expression of the message rather than the technique used on the song. Unlike Purple Haze, however, Crazy makes use of a soft harmonizing background to relay the message of the lyrics effectively to the audience for a smooth and understandable listening even for just a single run of the song. Patsy Cline’s soft tremble voice, projecting the subject as innocent and pure, makes the lyrics more powerful to the audience, and thus, the impact more intense. As for the background tune, on the other hand, makes use of repetitive chords to harmonize with the melody of the song, which eventually adds up to the aesthetic value of the song. The bass guitar further thickens the harmony, along with the second bass vocals. The bass, the vocals, the percussions, the keyboard, and other instruments mix up harmoniously together. Blowin in the Wind Bob Dylan’s Blowin in the Wind created a great country music, mixing together his unique husky voice and his rhythmic guitar and a slight harmonica in between the lines of the lyrics. The melody had a master style that repeated on the entire song, changing only the wordings of the song. Wonderful is the lyrics of the song as it paints an imagery of how ignorant man can be, not noticing how the answer to all of man’s problems are just right in front of them, blowing in the wind, thus the title. It expresses such a meaningful message through a country genre, giving it a feeling of more hopelessness, more anguish, and more pain. The guitar and the harmonica played its part to effectively harmonize with the vocals to support the message of the song to the mass public. Blowin in the Wind is Bob Dylan’s protest against the pointlessness of war, the futility of permanence, and the anguish of neglect of other people’s well-being. Duppy Conqueror Bob Marley, being the king of Reggae, lived up to his name on the Duppy Conqueror. The vocals blend well with the rhythm of the song, mixing with the ups and downs of the pitch of the musical instruments as though it belongs to one of them. The jumpy feeling made by the rhythmic guitar gave a signature to the genre of the song, along with the accent of the percussions. The rather lax and smooth feeling of the melody of the song intensifies the message of the wordings, which is about the joy of being free. With regards to the style, being reggae, the movements follow an ABABA style; two master styles that continuously interchange with one another. The guitar plays repetitive chords in an off-beat fashion; prolonging the second beat until the fourth beat strikes. Other instruments, specifically the percussions, support the guitar and also prolong the second beat. Read More