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How does hierarchy within animation and manga production influence the contents and stories of manga and anime - Essay Example

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The aspiration to make images move has in recent past provoked a lot of the most creative advancements in the areas of Science and Technology. The history of animation is however, traced way back in the early 19’s where…
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How does hierarchy within animation and manga production influence the contents and stories of manga and anime
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Download file to see previous pages During that time, the word manga was used to describe drawings. The present form of manga originated from America during the times of comic trips in the beginning of the 20th century (Schodt 1996: 22). Japan saw a big difference and impact of the American culture with amusing books and films being brought to entertain the occupation forces. After the World War II, new artist in the animation are sprouted in japan. These artists changed the manga rebranded it to new style to help television animation in Japan. Tekeza –artists- initially influenced by the Disney animations created a popular manga that was appealing to all ages. They created a broad variety of work from children to adult stories with moral heroes and peep plots. Among the Tezuka’s famous jobs of the time are Jungle Empire and Astro Boy. As the spirit of evolution of animation continued to rock Japan, a quality animation by Japanese animator Hayao Miyazaki took over the market scene of animation. The film Spirited Away won her an Oscar due to the quality art work and the controversy of the female heroes in a society which is male dominated.
Japanese animation (anime) and the comics (manga) have increasingly become popular in many countries. This is because the Japanese animation and comics have a different style to the other styles. The anime and the manga cover for all the categories of animation and contain genres that range from child to adult. The words animation, animator and animated are all derived from a Latin word ‘’animare” which means to give life to a nonliving thing. In the contest of video film, the word commonly refers to the act of artificial formation of impression of movement in animated forms and lines. Therefore, in definition the word means the practice of making an impression of movement which has been indirectly recorded in the convectional photographic sense from a film made by hand. However, it ought to be noted that this ...Download file to see next pagesRead More
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