The Political Trends in Arabic Countries - Essay Example

The themes of Politics and Love in Contemporary Arabic literature Adonis First, works of Adonis have grown with the political trends in Arabic countries. He uses his works to highlight aesthetics of literature and its purpose in shaping the society (Arana 87). For example, through poetry, he has championed democracy and popularized secular perspective in Middle East. His poetic genre is a cosmopolitan work, which not only tackles issues in Arab world but also the entire globe. In his poem, ‘Love’ Adonis exemplifies his unique blend of revolutionary artistic diction. Away from the traditional Arab poetry of simple language and forms, the poem revolves in the themes of politics, love, culture, and philosophy. Adonis alludes that newness in Arabic society are identifiable with Arabic character. In the poem, ‘Love’ he depicts the feel of affection for the context he is in, like the road, house, the dead, the neighbors and the toiling hands of the world (Arana 120). The selected diction shows the high stakes in Adonis works, which invites every bit of creativity and intellect. He heightens the reader’s originality to new thoughts and realms that create curiosity. No, wonder his love for renewal and democratic consciousness won him the Goethe prestigious award. The reflection in the poem, ‘Celebrating Childhood’ affirms that the history of Arabic is not that of the sword but also lately made of great men. Lately, comments from Adonis on the political atmosphere in Middle East, especially in Syria that brought nothing good in the society except backwardness, bitterness, torture, and breakdown to the people, is a show of hi grip to the Arab politics (Arana 231). Kahlil Gibran Kahlil Gibran is still a celebrated hero in Arabic literature context. In his Arab world, his incisive writings have earned him the tag of a political rebel (Gibran 65). Gibran works borrow a lot from the romantic styles of writing. The political events and power struggle do not make his daily life but through continual literary awareness of the situation in Lebanon, he asserts that the society is one place and homeland where all men are his fellow compatriots. The literal works of Gibran infuse the love of the society and advocacy for tranquility (Gibran 94). In ‘The Hands of Destiny’, he fascinates with the beauty of nature, and glamour that natures espouse. In this sense, Gibran aesthetic capture the literal world Lebanon ought to experience. He writes of the ideal nature that comes with spring and equates it to the Lebanon society. The reference of the beautiful spirit of Spring lingering in the atmospheres of Lebanon, is symbolic of the natural ancient glory in matters concerning the society at large. The aesthetic values in his literary writings have evolved through the atmospheres of love, politics, and economy of the Lebanon people. Notably, Gibran literatures include very spiritual books, including encouraging Arab uprisings around the time of First World War (Gibran 120). He is an author whose love for a civilian society so him champion women education in through his writings, as he lived and wrote from the west. From his works ‘From the gates f the Sun’, he sends strong social message of love and compassion. This forms a part of his distinct authored works where he changed the perceptive of great people through his peaceful writings, and faith among the human race (Gibran 65). Ghassan Kanafani In novella collections of Ghassan Kanafani ‘Men in the Sun’, theme of love and politics is also evident. As a Palestinian Activist, the stories blend the life of Palestine’s and the Jews is an artistic. The stories’ prose’s are in a universal way and this makes their aesthetic value attractive to the people from the people of different contexts (Moramarco and Al 45). Through Ghassan, Palestinian Literature has emerged as an unlikely star in the world of literal perspective. ‘Men in the Sun’ is a tragic allegory that brings out the placelessness and betrayal of Palestinians in the hands of Arab brethren. The quality of the work provides a sharp criticism in matters of politics and the better good of the Arab league. Kanafani brings out the ideal Palestinian’s agony and heartrending reality as these men from a different generation attempt to cross the borders in the hands of naughty smugglers (Moramarco and Al 108). The results are tragic. Literature being the society’s mirror, Kanafani aesthetically brings to touch the social, political, and human realities in the lives of Palestine citizens. Through the struggles of Abu Qais, Assad and Marwan, the economical realities of the Middle East truly reflect. The life of the exiled resulting from the political turmoil and the realities they face is what Kanafani’s diction highlights, as his experience was much alike. In the ‘Men in the Sun’, the essence was to bring a sense of understanding into the world the pain and suffering that the majority of Arab people go experience in the hands of political instability (Moramarco and Al 94). Just like Adonis and Gibran, Kanafani center of his literary works revolves around the society and the life of the Arab world. The character’s well-chosen roles, which literary capture the plight of the devoted individuals, arouse a sense of concern for the Middle East inhabitants. Kanafani writes in a provocative point of view in condemnation of such experiences people have to live. It is a literal critique to the political temperature of the countries in Middle East (Moramarco and Al 67). Away from the old pleasurable literary materials, the writers’ in Arab world have long-drawn-out their niche to reflect the political uprising characterizing the Arabic league. In real perspective, the story is a tale of loss, danger, loss, courage that even though its in literal point of view, the life of middle east is all about the universal truths of real human beings. Nizar Qabbana Moreover, beauty lies in the writing. This is what Nizar Qabbani does in him marvelous ‘A Brief Letter of Love ’. He helps to bring the other side of Arabic literature, the theme of love in literary aesthetics (ONeil 46). Qabbani is referred by generations of Arabs through is a romantic view and the picture he brings in the literary world of the Middle East. He centers on the theme of love. His poems bring the sensual and romantic metre in the verses. Through his bodily description and perception of life in love angle, Qabbani’s poetry featured in the Arabic –language newspaper, Al Hayat. Notably, his works, due to the soothing nature and flow of natural beauty, got the attention of Lebanese and Syrian vocalists, who sung them hence helping to popularize them (ONeil 76). Qabbani uses his artistic flow to unite people in literal ecstasies, a genre that anchors well with the culture of the Arab world. The greatest contribution is the success of his erotic and romantic themes through the indigenous and conservative tradition of Arab Literature. A close look at his works of poetry divides his argument on two perspectives: erotic poetry and poetry (ONeil 176). In the poems such as ‘A moon to Damascus, Dialogue, and I conquer the world with words’ all have the same literal roots but diffuse different interpretations. Politics provide the context to his love poems. In an interpretative reality, Nizar shows that love cannot thrive in an environment of coercion. In his naturalness, Kabbani believes that freedom, dignity, and equality form the prerequisite for erotic love to thrive. For example, in the poem ‘Reading from the Crypts of Holy Simpletons’ Qabbani cannot function in bed after ‘June’. This political turmoil Kabbani refers to is not social but political. Through Kabbani, the diversity of Arabic literature has embedded the political, social, and economic context in those countries. The writers in Arabic world have also diversified the context of their work to capture not only the history of the Arab world but also the uprising issues in society (ONeil 56). Naguib Mahouz In contributing to Arab literature, Naguib stands as one of the Arabic fiction innovators. Notably, the 1919 Egyptian revolution left him with a real touch in nationalist feeling that influenced his writing (Mehrez 78). His stories portray his inner sense of love and politics. It is through his diction filled with nuance, bigotedly realistic, and evocatively narrative art that applies to all humankind. In the novel, ‘Midaq Alley’ Naguib depicts the economic and political struggle of Egyptians. Through his narrator, the inhabitants have love connections to the shabby, backward Midaq Alley (Mehrez 34). Naquib has a deep connection and affection for identity. The continual conations of Islam religion show the love he got to his identity. His characters profess the five pillars of Islam: faith, prayer, giving alms, fasting during Ramadan, and pilgrimage to Mecca. The advocacy for jihad seems to taint the message of love that real Islamic religion preaches that others should emulate. The story is a satirically composed of diverse characters who live bizarre lives but all united in Midaq Alley (Mehrez 45). The quality, and the untrammeled rage in characters are what gives this narrative its edge. The passion and love he had for his native Cairo city, through his literary story, Nobel Committee recognized his Literature impact, in Arabic world. The essence in Midaq, is to show the Egyptian transition from tradition to modern life through character conflict, both verbally and emotionally, as one can view how love, greed, religion, and modernization shapes a society (Mehrez 89). Memory in the flesh - Ahlam Mostaghanemi In her story, ‘Memory in flesh’ forms her first literary works in the context of Arabic language. Her incisive reflection on the political trends in Arab nations made her works dominate in Lebanon, Jordan, Syria, and Tunisia (Mosteghanemi, Peter and Baria 68). This novel is a literary overview of Algeria’s strives on the webs of foreign domination. Ahlam is critical on the political struggles plaguing Algeria shortly after independence. In the context of this novel, she manages to shine and break the French wall that shielded Algerian intellectuals (Mosteghanemi, Peter and Baria 56). Mosteghanemi’s works evoke nostalgia for her nation. It is a depiction for Arabic sovereignty, just as other Arabic writers highlight. She brings to light the need for freedom in Algeria, for its people, and specifically the literary intellectuals. Literary, the plight of the youth, and the desire to build their nation is central in this novel. Ahlam has carried the history of the Algerian fight for self-establishment. She lives the memory of her father in which literary the revolution of Algeria is not a holy war but the zeal to claim own liberty. She has provocatively used her literature to criticize the state of political affairs in Algeria. One notices the reflection of Algeria’s past and present, and the ravages of colonialism (Mosteghanemi, Peter and Baria 87). Therefore, by embracing her Arabic language, she helps to clear masks of barbarism tags, as well as gunning victory over the oppressive system. For example, through the character of Khalid, one acknowledges the position of Arabic literature and Art, as something that touches Arabs not merely as created for entertaining. Mahmoud Darwishs poems For a 22-year Palestinian, the Arab literature portraying Arab romanticism, protest, and political insights, came into force. Mahmoud shares the struggle of his natives through his self-skilled art of writing, and seems to advocate for freedom. For example, in the poem, ‘Passport’ he overtly lays it as a symbol of the continual political and cultural struggle against Israel’s warfare dispossession of their land. In stanza three, he cries of his stripped name and identity on the place he calls home. The poet uses his poetic diction to condemn the heinous politically castigated acts against innocent Palestinians. The same reflects in the poem ‘without exile, who I am?’ This is an epic of nostalgia and love for one’s country. As most Palestinians live in exile, Darwish points that the land of Palestinians has remained to be there briefcase. What is more convincing, is the metaphorical images of homeland created by Darwish (Darwīš and Munīr 42). The death of Darwish lives in his provocative literature in the Arab world. In the poem ‘Mural’, his status as the most successful Palestine poet is evident. The poems serve the political activists role, through which they resonate the mentality of Palestinians to assert strong their liberation (Darwīš and Munīr 58). The Arabic work in Darwish ignites the purposeful nature of Arabic literature as it can work best to highlight the opinionated trends of recent times. Darwish poems are a voice that would never desert from Palestinian daily thrives. In conclusion, Literature in general seeks to confront power because it challenges the norm and invokes the imagination in its quest of self-assertion or definition of identity. This is a point of concern as highlighted in the seven authors. They are the true for Arab heroes and heroines who, through their literary conviction, are constantly searching for their true selves and the realities surrounding them and shaping their identities. In both poetry and prose, Authors rephrased the traditional Arabic literary conventions leading to a new revolution in writing on poetry, the neoclassical. Majority of the writers in Arabic literature have conjured love and politics in their writing. Work cited Arana, R V. The Facts on File Companion to World Poetry: 1900 to the Present. New York: Facts On File, 2008. Internet resource. Darwīš, Maḥmūd, and Munīr ʻAkash. The Adam of Two Edens: [poems]. Syracuse, NY [u.a.: Jusoor [u.a]., 2000. Print. Gibran, Kahlil. The Wanderer. New York: Sterling Publishers Ltd, 2009. Mehrez, Samia. The Literary Atlas of Cairo: One Hundred Years in the Life of the City. Cairo: American University in Cairo Press, 2010. Print. Moramarco, Fred S, and Al Zolynas. The Poetry of Mens Lives: An International Anthology. Athens: University of Georgia Press, 2004. Print.(Kabanna) Mosteghanemi, Ahlem, Peter Clark, and Baria A. Sreih. Memory in the Flesh. Cairo: American University in Cairo Press, 2004. Print. Mūsawī, Muḥsin J, and Jaroslav Stetkevych. Arabic Literary Thresholds: Sites of Rhetorical Turn in Contemporary Scholarship. Leiden: Brill, 2009. Print. ONeil, Patrick M. Great World Writers: Twentieth Century. New York: Marshall Cavendish, 2004. Print. Read More