and Dana Arnold’s Art History fundamentally examine or re-examine the definition and interpretation of the visual art. In particular, Mirzoeff presents the ambivalent characteristics of the broad term “visual culture.” He…
Download file to see previous pages...
As if agreeing to Mirzoeff, Arnold explores -- using the postmodern perspective (i.e., deconstruction) -- the system and philosophy pertaining to the theory and practice of art history. She argues that the traditional way of interpreting or reading art is, generally, through its historical or chronological order. Like a postmodernist, Arnold substantially challenges this traditional art history by contending that, at certain epoch, paintings as visual art have different themes or subject matter; in general, art in itself could not be wholly categorized merely for the time period it was created.
Mirzoeff explores visual culture, in the postmodern sense, as the outcome from the crisis inherent in modernism. Similar to Arnold, Mirzoeff’s thesis considerably departs from the academic-centered (i.e., traditional) interpretation of art or visual culture; examples of this traditional display or rendering of art are exhibits in the museum and Hollywood movies at the cinema. However, visual culture is generally a departure from the “structured, formal viewing settings” (Mirzoeff 7). In citing Rogoff, paintings in the postmodern era may be seen on a book, movies may be viewed on the home television, among other things (qtd. in Mirzoeff 7). Moreover, watching television as a peculiar mode of habit, if not custom, becomes a “part of domestic life” rather than an individual activity. On the other hand, Arnold cites the canonical art historians such Pliny and Vasari and how their approach in understanding or viewing visual art fundamentally transformed or affected the concept and praxis of art history. She says that the bias of the chronological-centered art historians has become the catalyst for the emergence of the almost revolutionary question concerning the “importance of canon in art history” (Arnold). In the process, Mirzoeff’s thesis involving modernism and postmodernism is substantially
...Download file to see next pagesRead More
States have been defined and treated, perhaps as barbaric, despotic and dictatorial because of their consumptive tendencies. The old Aztec kingdom of Mexico was and still is the purest representation of pagan barbarism by our western civilization largely because of its mass sacrifice of human, and maybe, its occult cannibalism, yet the contrast it draws with the Spaniards who destroyed it is relative to the imperial glory of the western power and the mass killing that ultimately marked the demise of the Aztec at the hands of the colonial powers.
Critics view it as medium’s state of rebirth or crisis while the historians view it as a medium’s role to standard modernist movements like abstract expressionism. A number of initiatives have attempted to address the visible invisibility state. In the past decade, various initiatives have attempted to frame ink painting in the forms of display linked with art.
In less than 100 years, Louisiana was in the hands of the French, Spanish and Americans, and these quick transfers of power had an important part of making it a colony that was markedly different from all of the other ones in culture, both among African and European colonists.
points out that art education should not be limited to studying what we often see as drawings, paintings and photographs, rather it is a field of study recognizing the predominance of visual forms of media and communication and critically evaluate its totality with reference to
In 1988, at the age of 48, Closes spinal artery collapsed. Close was paralyzed from the neck down, and he feared that he would never paint again due to this accident. However, in a miraculous twist, he was able to
The history of art and visual culture between the 15th and the 19th century has always remained a complex topic among historian, and poet thereby demanding a significant focus on the relationships between the principal religious, social and political contexts. Not only does the study of the history of art shaped the landscape of histological inquiry.
e later wedding trip suites where the accentuation was on making attractive situations, had these prior renditions deliberately reproduced rural lodging. They were little Levittowns with separated cabins with carports, picture windows, yards, living rooms, chimneys, and the most
ectations and values that hold employees together as well as bolster unity in the organization, factors that contribute towards its attainment of corporate objectives (National Defense University, N.p). Noteworthy, organizational culture guides the employees on what to do when
2 Pages(500 words)Book Report/Review
GOT A TRICKY QUESTION? RECEIVE AN ANSWER FROM STUDENTS LIKE YOU!
Let us find you another Book Report/Review on topic Response to What is Visual Culture and Art History for FREE!