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Tartuffe - Coursework Example

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Evil is often considered as strength, that is why comedies are necessary. Our parents teach us to be strong in order to be safe. When we are taught to defend ourselves, we are taught to offend other people, thus we are taught evil. Evil lives in any person and we can’t do…
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Tartuffe
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Tartuffe Evil is often considered as strength, that is why comedies are necessary. Our parents teach us to be strong in order to be safe. When we are taught to defend ourselves, we are taught to offend other people, thus we are taught evil. Evil lives in any person and we can’t do anything with it. We got used to treat evil even with respect, because we often feel helpless before it. If not to take religion into account, comedy and satire is the only way to make people think about their actions as we do not like to be ashamed and laughed at.
2. Actually, during the whole play Tartuffe is playing a role of innocent. However, the brightest scene, when actors are playing actors is Scene V, Act IV at the end of the play, when Tartuffe and Elmire are playing before each other. Tartuffe wants to deceive Orgon’s wife and have some fun and Elmire is playing before her husband who is hiding under the table in order to prove that Tartuffe is a rascal.
3. Moliere wants to show that evil can make us ridiculous, therefore we should struggle with it. Also the author proves the fact that a person who brings evil will finally suffer from it himself.
4. The words of Tartuffe “I have never gazed on you, perfect creature, without admiring… etc” teach us not to believe the flattery. It is not a simple irony but a nice lesson. It is not a parody, but a scene from a real life that can be met every day.” O marvellous beauty, a devotion never to be equalled” – it seems that these words can be pronounced only by a sincere person, a mean one simply does not know such words. However, Moliere proves that evil can obtain different forms and it is very important to know how to recognize it.
Bibliography
The Dramatic Works of Molière, Vol. II. Ed. Charles Heron Wall. London: George Bell & Sons, 1898. Read More
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