Analysis of architecture work and theory of Peter Esienman - Essay Example

A series of deconstructivist rectilinear box like houses designed as experiments in geometry and philosophy, were known initially only by numerals (I to X). Eisenman predominantly used grids as an organizing principle in this set of his earlier work. He experimented and investigated a variety of theoretical ideas including the notion of deep structure, a proposition that there is a universal, underlying ordering device that is the natural and logical generator of a design. The later larger design compositions reflect geometries derived from historical references or from circumstances of the building site.

The Wexner Center for the Arts (1983-1989) at Ohio State University is a remarkable example for this. The House VI displays unclear structural functions. The house was designed primarily as an exercise in geometric autonomy. It represents efficient method of construction but labeled by many critics as having futile construction elements. The house is constructed using primarily a post and beam system, with box beams and large dimension timbers forming the major elements of the structural system.

The building is a study in the relationships between the actual structure and the architectural theory. Many of the forms that appear structural are actually included to reinforce the concepts behind the design and not essentially for the purpose of providing structural strength and stability to the building. The design displays non practical and philosophical use of structural elements such as an exterior column that does not reach the ground and a linear design element in the bedroom floor which created practical problems and disallowed the owners to use it in a desirable manner.

The spatial organization of spaces also displays antagonistic planning. He practiced the philosophy of "post-functionalism" in architectural designs of the houses in which he added the element of function after the completion of design and the celebrated thinking of ‘form follows the