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Bride of Frankenstein by James Whale - Movie Review Example

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The 1935 horror movie Bride of Frankenstein by James Whale is one of the most celebrated film versions of the original novel by Mary Shelley and the film is especially noted for its depiction of the monster. "An alchemical fusion of many outstanding elements, Bride of Frankenstein is, perhaps, one of Hollywood's true cinematic masterpieces The Monster is a faithful interpretation of Shelley's literary creation, but the cinematic character does not rely upon the author's lengthy and weighty dialogue to express himself eloquently." (Nollen, 98) In the film Bride of Frankenstein, the monster is a disagreeable creature, although there is difference of opinion in the approach to the character…
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Bride of Frankenstein STRAW MAN ESSAY ON MOVIE The 1935 horror movie Bride of Frankenstein by James Whale is one of the most celebrated film versionsof the original novel by Mary Shelley and the film is especially noted for its depiction of the monster. "An alchemical fusion of many outstanding elements, Bride of Frankenstein is, perhaps, one of Hollywood's true cinematic masterpieces The Monster is a faithful interpretation of Shelley's literary creation, but the cinematic character does not rely upon the author's lengthy and weighty dialogue to express himself eloquently." (Nollen, 98) In the film Bride of Frankenstein, the monster is a disagreeable creature, although there is difference of opinion in the approach to the character. He is not only assembled from parts of dead bodies, but his own body is grotesquely disfigured, and he can be relentlessly violent. Undeniably the monster in the film is responsible for the deaths of at least six people, including Frieda, an innocent child, and he expresses no remorse whatever for his actions. However, in spite of all these furious actions by the monster, several critics of the film find the monster to be a sympathetic figure and a reflective analysis of the character proves that the monster incorporates compassionate elements along with the apparent condemnable features.
Bride of Frankenstein, unlike the original Frankenstein movie, depicts the story of the Shelley novel almost exactly and the monster in this film version has a compassionate appearance. "While in Frankenstein he was a murderous vengeful creature, the sequel presents a Monster the audience can sympathise with, thus bringing him much closer to Mary Shelley's original concept In one of them the Monster saves a girl from drowning and is 'rewarded' with being shot in the arm." (Bride of Frankenstein) There is a view that the monster does not deserve the kind of treatment it gets at the hands of the critics as there is nothing unnatural about the character. In fact, it has behaved the same way that the audience would expect him to do and anything that results from his fury is the outcome of his make-up. It would be fair to state that the Frankenstein monster is the most misunderstood monster of all. In fact, "the Frankenstein monster's primary motivation is to be loved. While he is denied romantic love by the mate promised to him in Bride of Frankenstein, the monster is able to find brotherly love when he shares a meal with another societal outcast." (Bower, 291) In fact, the character has several elements in it which request a better treatment from the audience and the director has been careful in providing the character a very sympathetic face. "Director James Whale presents the monster as a tragic figure, even going so far as having him tied to a pole in a Christ-like position when he is captured by a mob of torch-wielding villagers earlier in the film." (Bower, 294).
However, it is not completely true to state that the monster I nothing more than a sympathetic character, as there is a strong diverging perspective on the monster which considers the character as the main villain in the film. "The word 'monster' - from moneo, 'to warn', or monstro, 'to show' - seems to imply that monsters hold up a sign that says in large letters, 'Here thou shalt not come.' Since society must define itself by that which it excludes, every social definition carries implicitly - or explicitly - the definition of its reverse." (White and Buscombe, 297) Thus, there are various examples which make the Monster in Bride of Frankenstein a disagreeable creature to several viewers. It is assembled from parts of dead bodies and its body is grotesquely disfigured. There are also scenes which depict the character as relentlessly violent and it monster is responsible for the deaths of at least six people, including an innocent child. The Monster in the film never expresses any remorse whatever for his actions which also suggests the monstrous aspects in the character. In conclusion, the character of the Monster in the film Bride of Frankenstein is a disagreeable creature on the one hand, while, on the other, he is depicted as a sympathetic figure representing human qualities.
Works Cited
Bower, Anne. Reel Food: Essays on Food and Film. London: Routledge. 2004. P 291.
"Bride of Frankenstein (1935)." Frankenstein Films.com. Feb 23. 2009. .
Nollen, Scott Allen. Boris Karloff: A Critical Account of His Screen, Stage, Radio, Television, and Recording Work. McFarland. 1991. P 98.
White, Rob and Edward Buscombe. British Film Institute film classics. New York: Taylor & Francis. 2003. P 297. Read More
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