Critique of Ma Raineys Black Bottom by August Wilson - Research Paper Example

E. Ever since the band continued their music practice with white producers, Levee never wasted any chance to seek approval of Sturdyvant. This dependence of the black people on the white community lays the foundation of Toledo’s comments.D. They (the white producers) must be calling me now a variety of offensive names back in their office. They may be calling me now everything but they will never consider me a child of God. But, they cannot do any other thing but calling me names behind my back.E. These words by Ma Rainey are strongly predictive of the racial discrimination that forms the bedrock of this play.

Ma Rainey was a cash cow for her producers, so they never respected her actually but still kept her for their own benefit.B. “As soon as they get my voice down on them recording machines, then it’s just like if I’d be some whore and they roll over and put their pants on. Ain’t got no use for me then.” (Nadel, 183)D. As soon as I let my white producers record my voice on the recording machines, I will be of no use to them. I am just a commodity for them and once I give them what they want, I will be rolled over and treated like a whore and then, I will be of no use to them.A. This scene involves Toledo, who is very dejected by the authoritative control of the white community.

He is in despair that the black people, including his own bandmate Levee, have to woo their white masters for little favors.D. We have forgotten our real selves and our identities in order to be like our white masters.