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Narrative Voice, Characterization, and Use of Settings in Catcher in the Rye and a Short History of Tractors in Ukrainian - Assignment Example

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This paper 'Narrative Voice, Characterization, and Use of Settings in Catcher in the Rye and a Short History of Tractors in Ukrainian" focuses on the fact that what one speaks is important; how one speaks, what one speaks is more important and creates a tangible effect. …
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Narrative Voice, Characterization, and Use of Settings in Catcher in the Rye and a Short History of Tractors in Ukrainian
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Download file to see previous pages The same is true of any writer. One is trying to get into a unique writing style, often without deliberate inclinations-- the style emerges of its own, -- but sometimes, the narrative voice as a writing technique is consciously employed by the writer. To start with, it is necessary for the writer to select which POV (point of view) to use.

The author’s persona of a fictional narrative can contribute to or mar the success of the story. Much depends on the plot of the story and how the author wishes to develop it. What is the emotional content of the story as a whole and how the individual emotional levels contribute to the total success of the story? There should not be any artificiality about the development of the story, and the narration should contribute to the logical conclusion. “The first-person point of view is usually subjective: we learn the narrator’s thoughts, feelings, and reactions to events. In the first-person objective, however, the narrator tells us only what people said and did, without comment.” (Writing….)

The first-person modes are: The observer-narrator, outside the main story, detached autobiography, multiple narrators, Interior monologue, Dramatic monologue, Letters diary, (narrative of this type is often found in the epistolary novels.)

As for the first person, questions related to the first persona are simple and straightforward. The character that narrates the story has a peculiar personality and attitude, which distinguishes one from other characters, and he/she keep up to that style to describe the events. The second mode is rarely used. Writers do not feel the necessity for it, and few of them are able to use it effectively. As for the third person, persona depends on the single character through which one makes efforts to lead the story forward. Building and strengthening of the character go according to two styles. The writer may probe the character’s mind, and describe how that character thinks and feels, or one may relate events that happen to surround the character and how it would react to the situation.   ...Download file to see next pagesRead More
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