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A Vindication can be used to understand the causes and effects of gender oppression in two stories, Flaubert Gustave’s “A Simple Heart” and Charlotte Perkins Gilman’s “The Yellow Wallpaper.” Gustave shows Félicité’s life as a woman, which Gilman also demonstrates in the life of her story’s narrator. These female characters are protagonists, not only in their lives, but in a man-dominated society. Wollstonecraft argues that society oppresses women through preparing them for marriage that breaks them mentally and isolates them socially, through training them solely for their traditional gender roles and responsibilities, and through turning them into men’s slaves and playthings. The primary problem, she continues, in developing women with weak minds is that they acquire a poor sense of reason that makes them susceptible to mental and emotional breakdowns which harm them and society as a whole. Wollstonecraft asserts that women can liberate themselves from oppression through self-expression and self-reflection which will give them control over their lives.
Wollstonecraft asserts that marriage is an institution that usually oppresses women because it breaks them mentally. She first laments the fact that, during her time, women’s main preoccupation was to get married. She says: “…meanwhile strength of body and mind are sacrificed to libertine notions of beauty, to the desire of establishing themselves—the only way women can rise in the world—by marriage” (1.12). Instead of studying and honing their talents, women’s only lifelong course is to be prepared for marriage. What is more disconcerting is that most marriages are bad for women’s inner mental development. Laura Brace notes that Wollstonecraft argues that marriage breaks women mentally because society expects them to be dedicated only to the goal of satisfying their husband’s needs and following their orders as part of their “natural” duties (435).
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She is not allowed to write since women were not allowed to cultivate their talents as a wife. The woman here is unnamed and hence readers often identifies her with the author Gilman herself. However in this paper she represents one of those few women who have managed to come out of the shackles of domination.
The collection culminates with a few mementos from the author’s autobiography, including a riveting essay on her painful experience of motherhood and postnatal depression. Sometimes the reader may unconsciously fathom about Gilman’s traits as she excessively endorses about suppression without providing any sort of silver lining. She speaks about the male virus, but does not provide a solution or a cure.
The slow progression into madness is meticulously noted and reproduced for the reader. This familiarity with the decay of the mind is no doubt drawn largely from Gilman’s own experience of neurasthenia at the hands of Dr. S. Weir Mitchell, the then expert on the subject of madness (‘The Yellow Wallpaper’).
By the final period of the 1800s, feminist movements were gaining impetus in favor of transformation. For instance, the idea of the new woman started to spread in the late periods of the 1800s and initial periods of 1900s as females advocated for extended responsibilities out of their home-roles that could draw on the intelligence of women and non-domestic talents and skills.
She is a newlywed in a summer vacation with her doctor husband. The doctor decides to put her to bed rest in order to heal from the condition. The room, in the upstairs of the three-week summer vacation apartment has yellow wallpaper. Having nothing else to associates to, the woman closely relates, though in a lunatic way, to the yellow wallpaper.
She is taken care of by her grotesquely self assured physician husband with an obligatory break treatment. Her ill health turns into full blown madness due to the fact that she is isolated and restricted from any kind of activities. This narrative founded on individual experience, pivots on Gilman’s certainty whereby without an outlet for their extraordinary talents, skills and knowledge, ladies are doomed to sickness and hopelessness.
As the story progresses, she slides into complete insanity. The narrator is pushed into insanity by the repression of her creative impulses, the confinement of her marriage, and her subjugation by the patriarchal system.
I realized that, besides its external meaning, representation coupled with various entities featured in the paper, it held hidden significance. The account features an ailing woman’s miseries where together with
The chosen room was big and airy. The husband thought that his wife will remain comfortable in the room but he never asked her about her choice and softly forced his will upon the lady. The lady however,
She asserts that women are also not frivolous and too emotional by nature, but by nurture, specifically because access to quality education and the same level and quality of social and physical activities are
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