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Module Module ID: 1984 The present paper aims to explore whether there exists any association between the initial part of a work with its subsequent portions by concentrating upon the novel 1984 (2004) created by George Orwell. One of the most significant objectives behind discovering the relationship between the first part and further developments includes whether or not the introductory passages should represent the theme of a work. Since introductory portion of the works provide an imperative clue to the further progress to be made in them, the readers are prepared to analyse and assess the work by sticking to the details drawn out in the initial passages; the same could be explored in the work under-investigation.
The novel 1984 begins with the pathetic and deplorable state of affairs experienced by the protagonist Winston Smith, the member of Outer Party as well as Proles, along with the projection of the pictures of some Big Brother, the totalitarian despotic ruler of the imaginary State of Oceania, through billboards and posters almost everywhere (1-2). The readers find the protagonist under the state of constant frightening because of his being inspected secretly by the Big Brother (2-3). This sense of fear keeps on creating the panic for Smith every moment of time quite unceasingly (3).
As a result, Smith would never think of even planning to violate the rules and regulations determined by the Big Brother. Not only this that the protagonist is unable to discuss the policies articulated by the Big Brother and his Party, but also he is not in a position of moving the place of his choice or getting involved into a love affair and sexual intercourse with the individual of his preference. Consequently, Smith is found under the state of an unflinching and unabated watch, which is sufficient to trounce his personal wishes and whims existing in his breast (4).
Such a situation of constant slavery results into his distress and disappointment, where he appears to be eager of violating the same by crushing the hanging sword of persistent watch on him. The horror and anxiety haunting Smith’s mind during the initial passages and pages of the work could be found to be evocative and intact throughout the work. Consequently, the protagonist and his beloved Julia are unable to escape the irritating chasing at the hands of the Big Brother and his followers, agents and party workers at large (31).
The same could be noticed by going through the latter developments in the work, predominantly the directive issued by the high official and member of Inner Party O’Brien to Smith to appear before him in his office (5-6). Similarly, Smith’s getting arrested, along with Julia, and detection of his personal diary as well as the book gifted by O’Brien, in the wake of the report made by the landlord of the flat he is staying in, demonstrates the effective and influential watch applied by the Big Brother upon all the activities performed by him (152).
Smith’s remaining under torturous confinement for attempting to violate against the commands decreed by the Big Brother also reflects the strong and constant influence and watch of the despotic ruler on his thoughts and actions (167-8). It is therefore, he is determined to be loyal and committed to the Big Brother for the rest of his life after his release from the prison. Hence, the entire developments appear throughout the novel endorse their direct association with the introductory chapter and passages as well (179).
Work Cited Orwell, George. 1984. London: Secker and Warburg. 1949. Print. Web. http://msxnet.org/orwell/print/1984.pdf
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