Technological Advancements and use in two different literary works - Essay Example

number Technological Advancements and use in two different literary works Monstrous technology brings about destruction due to lack of control in the Metropolis film The Metropolis film was developed and created by Fritz Lang. It was made in the year 1972. It is considered a great piece of work and remarkable based on its numerous precursors. It is able to exhaust a complete genre and nearly completes the whole of its possibilities. There is a great deal of gender development alongside the use of technological advancements to bring out the major themes. The main theme in the film is that of the relationship between female sexuality, the male that is vision oriented and technology as it is applied in the creation of films. It can thus be concluded that the metropolis films is not only a conflation of the stereotypes in gender but also the phobia in relation to technology which is circulating around the culture in Weimar. This is what is usually gathered from the film. However, another relationship between gender and technology is also shown in the sense that a contradictory exploration occurs as a result of the gender roles that reveal the ambivalence between both technology and feminity. It indicates that there is a possibility for most of the women to face oppression as well as liberation. When considered in this respect, the film provides it audience with a cognitive way of mapping. This is related to the techno-sexual relationship that is brought about by the relationship within the world as well as that beyond it. These are provided by the available spaces that bring about miseries and privileges that are associated with both technological power and feminism as an all perfect alternative. With this, the previously known gender roles have been delineated leading to change. For instant, the wealthy elites are shown to benefit from the rule of Fredersen in the upper ladder. They are all shown to be men. They are seen in their games during the Olympic type of athletic events and at the brothel owned by Yoshiwara. It is at this point the Maria the cyborg performs the erotic dance moves. The workers who are drone-like and who are marching in formation are all men as well. In particular, with Maria as an exception, the young woman is involved in flirting activities with Freder during the initial scenes of the film. This is shown to take place at the fountain. In addition, it is shown by the wives of the workers who eventually join a revolt. Despite this, Metropolis is still depicted as a city of men. Thus in the film, the director not only depicts the town as an authoritarian one but also that which is under the rule of a capital controller in the name of Fredersen. He is also a patriarchal ruler. In this society, most of the women are not allowed anywhere near the public arena. They are invisible within the production and consumption of power that is linked to technology. The film which is set into its future focus initially shows the efforts that men put to undermine women This is shown during the Luddite rebellion when the workers liberation movement is undermined and its leader Maria discredited through the infiltration of the workers ranks through the use of an agent provoker and another cyborg who is double of Maria. The key component that makes the film as fascinating as its as it was intended by the author is the aspect of a nature of sexuality that is placed around a mesh of technology that is incorporated within it. This creates an appropriate blend of melodrama in the film. In addition, there is a unique spectacle as well as the aspect of social critique within it. This is in the sense that it is associated with a lot of change which is linked to men. In both instance, the fear of men is depicted as having developed towards technology and women in the current times. In the previous times, both of them were perceived to be intense threats to the patriarchal control. During these times, technology was not always linked to sexuality. However, in the modern times, women and machines are often accompanying each other and are thus equating the fears of males to the powerful technologies with the fears of female sexuality. In this film, the major element that is depicted is that of the female creation to bring about identity. This is the first cyborg in the film that is formed carefully by the patriarchal forces through which the feminity project in the film is revealed. It is thus the construct upon which technology is founded. There is one main item that links technology to feminity directly in the film. This is the female robot that is eventually transformed into a cyborg that is rebellious. In Metropolis, the machine woman is a great symbol of the twentieth century, where men have developed a fear for both women and machines. In the film, the robot vamp is the main artifact that depicts a high level of technological development. It is from this piece that the male is able to view the female sexuality as destructive. It projects the duality that is used to bring an insight and characterize an attitude towards technology as well as that towards feminity. According to the film director, the otherness of women in the film is represented by two stereotypical images that are related to feminity. These are both virginity and the vamp. Although they are both projections of the male, they both depict the activities of the male world in relation to technology. In this sense, it shows the fear active and sexualized female and the fear of technology, which are linked in the machine vamp that possesses a threat to all the men. In an ironical way, it is a form of technology that also poses a threat to technology itself. The machine vamp is thus in itself a form of chaos since he seduces those who are idle rich through her sexual allure and turns the workers into a “raging machine destroying mob” (232). Moral degradation in relation to monstrous technology as depicted in The Island of Dr Moreau by Wells In the novel: The Island of Dr Moreau the author brings out the main themes of moral practice and ethics. They are subsequently incorporated within the theme of science that brings in some of the most current technological advancements. With this, it in an appropriate way is able to tackle the topic of ethics and technology. It is the use of technology that leads to the question of whether most of the activities involved in the novel are right or wrong. However, in this novel, these are intertwined with technology to create the question of whether individuals should be worried and bothered about the concepts of morality and ethics. It is shown that human being s and nature are more or less the same entities due to the fact that it is nature that although careless and a merciless machine shapes human beings. This leads to the wider dilemma of whether any activities that human beings take part in are important or matter in relation to the provided size or the immense emptiness of the entire world in the grand scheme of things and activities. With the presented questions, The Island of Dr Moreau is portrayed in the form of an interesting and dark journey. This novel was written at a time when England was facing a great deal of scientific revolution. At this time most of the people were worried about the impact of new scientific methods and experimentations in their lives. As such, Wells shows that in the days when he wrote the novel similarly to the current days, the use of science has resulted in a number of technologies and revelations that are unprecedented in relation to the entire world. Technology in the form of science in relation to morality and ethical standards are represented in the novel to express some of the dangers linked to scientific progression that is done without consideration. In the book, Moreau’s actions are shown to be abominable. He is not portrayed as an antagonist with only one dimension. He is driven by high levels of scientific curiosity. However, despite his will to excel in technological developments he lacks the human nature of compassion. Nonetheless, his kind of scientific objectivity is still understandable and excusable by the human sense. Despite this, on the contrary, most of his actions are not completely objective. They are mainly brought about by his intense desire to realize a high level of scientific progress. This is the kind of dangerous motivation that is made more familiar and popular to the readers than a simple desire to cause harm. Moreau is shown to possess the hope to attain social progress by the used of reason. This is a different trait that is noticed besides his socialism nature. With this, Wells was making attempts to bring out the kind of moral march that is linked to progress. It is mainly felt in the risk that it can increase the level of corruption and overwhelm the natural sensitivities that are possessed by human beings and especially men due to the many promises and efficient shiny perfections that it has. During the time that Wells wrote the novel, most of the people were worried that the man was getting involved in activities that made him overstep his authority and get into a domain that was considered divine. In this relation, the vivisections conducted by Moreau bring out some of the dangers associated with science and technology. However, he consequently provides a speech to Prendick to offer his defense, which is extremely relevant to his actions. Since he claims to be a main of reason, it is shown that pain and pleasure are not relevant in his situation. In this book Wells attains success not because of the societal commentary that he makes so incisively but in the ability to resonate most appropriately with the growing interest of the public, especially with regard to the controversial issue that is related to the possibilities and limitations attached to science. Consequently, it has developed a huge level of confidence with regard to the ability of science to solve a wide range of problems by finding a great solution. Works Cited Lang, Fritz. Metropolis. Motion picture. 1972. Print Wells, H.G. Read More