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Edgar Allan Poes Personality and Inner Character Through the Revelation of His Anima - Research Paper Example

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The paper presents Edgar Allan Poe's stories that appeal to the reader’s psychological demons as a means of instilling a sense of terror unreachable through more mundane physical descriptions. These stories were born out of a life of repeated disconnection from his fellow man…
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Edgar Allan Poes Personality and Inner Character Through the Revelation of His Anima
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Download file to see previous pages Edgar Allan Poe published his first book of poems at the age of 19 and began publishing his short stories by the age of 23. Unfortunately, though, he never achieved the kind of financial success he felt his innovation and talent were entitled to and he remained a mostly disillusioned and miserable man through most of his life. Setting the rules for the art of the short story he’d brought into popularity, Poe said: “If any literary work is too long to be read at one sitting, we must be content to dispense with the immensely important effect derivable from unity of impression” (Mowery, 1997). Like many writers, though, Poe wrote of what he was most intimately familiar with, in this case, his own inner demons, and his stories were thus themed primarily around the concepts of sorrow and loss. By examining works such as “The Fall of the House of Usher” or “Ligeia,” one begins to understand much about the author’s personality and inner character through the revelation of his anima.
The term anima was introduced by Carl Jung’s work on dream analysis as a means of understanding the psyche on a different level than what had been proposed by Sigmund Freud. According to Neumann (1954), “the Anima is the personification of all feminine psychological tendencies within a man, the archetypal feminine symbolism within a man’s unconscious.” According to Jung, every man has within him elements of the female, often buried under varying layers of male stereotyped conceptions. In spite of how ‘male’ or ‘macho’ the individual might be, according to this theory, there is always a hint of the ‘feminine’ within him which is comprised of the ‘softer’ ideals more often associated with the stereotypical female. The anima is that internal element of the man that permits him to cry when things are bad, that finds joy in cooking for his family or is able to nurture a hurt child. The opposite of the Anima is the Animus, which can be thought of as the male inside the female. ...Download file to see next pagesRead More
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