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One for the Money by Janet Evanovich - Book Report/Review Example

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One for the money is a poem that revolves around Stephanie Plum; this is the central character in the poem. Stephanie Plum who is approaching thirty finds herself in a quagmire; she looses her job in the busiest metropolis known as Trenton. Stephanie Plum car gets ready to plunge into bits, and frantic…
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One for the Money by Janet Evanovich
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Download file to see previous pages Well' this is a dangerous job for an inexperienced person. Ideally, Joe Morelli is a rascal cop that faces manslaughter charges and posting $10,000 recompense. Nevertheless, events turn out to be scanty- Stephanie starts to conceptualize that Joe is not as culpable as alleged to be. While relentlessly searching for the truth, she finds herself on the other side of town brushing shoulders with harlots and ill tempered wrestlers. At this point in time, she gets lost in the world of imaginations, especially when a pugilist sets his shadow eyes on her - as well as having a strange link to the bump off case. The first day on job for Plum is quite frantic, as she hardly can seize an ounce to breathe. Probing around for intimations as to where Morelli might be trouncing, Stephanie runs into a boxer that gets irritated after declining to go to bed with him. Being susceptible to attacks, Plum is now insolvent and cannot run elope by herself, lack enough Morelli emerge from the blues to rescue her from the attack. At this moment, Morelli is practically tied into Plum hands, yet incapable of outsmarting the former cop. All the way through the jiffy half of the manuscript Plum exposes that the actual killer is still at large; perhaps roving on the boulevards. Plum is now coerced to join hands with Morelli in determining the actual murderer. Stephanie has an implausible adversity of meeting prize pugilist Benito a rampant madman with a desire to mutilating women, and decides to make Stephanie his immediate culprit.
Myriad techniques have been employed in the poem. For instance, metaphors, similes, personification, alteration, symbolism, imagery onomatopoeia, assonance, rhymes repetition and hyperbole.
Imagery: this is the creation of icons or pictograms in the poet's way of thinking. A combination of alarm as well as prurient eagerness that neared trepidation; Sifting through a dirt-oxidized window; air was inert, smelling of curve must, jugs of stale auto lubricant; Eagle tattoo on his chest, a quick palm and smart fingers in addition to extravagant eagerness.
Repetition: the reusing of notions, phrases to highlight or since sounds proficient.
Morelli use of the garage to take his belt to his sons, his sons employed the garage'.and Plum, to the garage'Don't let him get you alone or you'll find out. Once he gets you alone' I hadn't seen'..I presumed he'd protracted his'. I was untouched'.I was saving myself for matrimony'.I am a virgin'..
Rhyme: reiteration of analogous sound at the last parts of words. Rhymes can also be internal, thus, the rhyming that flank sentences; His head trapped beneath my stumpy crimson miniskirt.
Reiteration of analogous vowel jingo followed by disparate consonant jingoes
A distinct flanking two essentially dissimilar items, by employing words like if not as; Tongue like a lizard; eyes like black fire.
It is the opposite of simile; a distinction that flanks two dissimilar items, in this case words like or as are not applicable. Abodes were adjacent and narrow. Enclosures were miniaturized. Automobiles were American. Beware of the Morelli boys "They are wild'; Shivering knees and a spongy stomach; the brush of his fingertips that turns virgins into slobbering mush; Interim madness.
This where human attributes are detonated to things that are not human; You are the conduit and I am the coach; a pious cow; air sat still and thin, brooding with ...Download file to see next pagesRead More
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