Literary Devices used by Edgar Allan Poe Name Institution Allan Poe is one of the renowned poets of his time and was active during the 17th century. His work of poetry is still relevant today as it was during his time. The poem “Raven” is one of his most widely read work…
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It is like he gets some pleasure through remembering the death of Lenore but the raven makes him face the stark reality that she is not coming back. In this Poem, Poe uses a range of literary devices from symbolism, imagery and other poetic devices to bring out the desired effects (Sova & Sova 2008). This article analysis giving examples of the literary devises that Poe uses in the Raven. The poet uses a variety of symbolism. A symbol is something that can be used as a sign for something else. It can be obvious or subtle. In this poem, the symbolism is very obvious. For instance, the raven is used to symbolize the grief and never ending sorrow that the narrators face. He engages in a conversation with the Raven and this makes him realize that the love of his life would never return. When the reality hits him, the narrator now sees the raven as an incarnation of evil. He says that the raven had evil eyes and that it cast a shadow over his soul. The raven is also used to create a conflict between the two worlds of darkness and light. Lenore is described as being radiant as the angels whom she is enjoined. The narrator’s house is also illuminated by white busts of Pallas and this contrasts the deep darkness outside the house. The raven on the other hand is a symbolism of darkness. He casts a dark shadow upon the narrator’s soul. ...
The “raven” which is associated with evil also alludes to magic. The narrator also voices his view that the Raven is from Pluto’s offshore which the afterlife is. The poet also alludes to nepenthe (Poe, Stedman & Oswald 2008). This is a mythological drug that one can take to forget their misery. The narrator is in deep grief and he might need this drug to uplift his moods. This drug is alluded to in line 82-83 where the narrator in a daydream envisions that the room is filled with a perfume and sees it as god’s way of helping him overcome his misery (Lippmann 2005). Poe in writing this poem draws a lot from mythology and folklore. In the bible, Noah sends out a white raven after the floods to see if the water had gone down. The raven took a long time to return and as a form of punishment its color was turned to black. There is the constant use of literary device of repetition. The narrator repeatedly mentions the name of Lenore which could be used to show the deep love that he has for her. “Nothing more” is also repeated in the sixth stanza as a sign of the end of the life of Lenore. It also shows that the feeling of emptiness that the narrator feels after the death. He now gets the sense that he will never have the chance of seeing Lenore or even hold her in his arms anymore. ‘Tis the wind and nothing more!” is in one stanza. In another stanza:”Merely this and nothing more” (Poe, Stedman & Oswald 2008). There is also the use of rhyming words where there is repetition of sounds within a line. Example of that is “tapping” and “rapping” which creates some form of rhythm (Poe, Stedman & Oswald 2008). There is use of rhyming
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Poe’s fiction celebrates both the hyper-rationality of the detective and the inability of philosophy to account for the perverse”. Poe never did get much money for his writing during his life, even though he held several editorial positions.
It is not often that a writer tells a story with such simplicity and panache and yet captures the deepest desires and nature of human beings with such perfection that the reader cannot help but admire the art of storytelling. Edgar Allen Poe is amongst one of those fine writers who could use words and plot stories that can capture a reader’s attention and The Black Cat is one of his fine creations.
According to the research findings, use of central narration indicates that the story revolves around the inner terror and the innate evil that exists in people. Use of first-person narration is related to the idea that telling the story from the victim’s perspective would not portray the memorable qualities to the readers’ attention.
His two greatest artistic gifts are his perceptiveness of psychological nuances and his ability to illustrate it in lyrical prose. Both these qualities are seen in his numerous critically acclaimed short fiction and poems. This essay attempts to make a close reading of one of his short stories – Eleonora – and attempts to identify in it some of the recurrent themes in Poe’s works and place them in socio-cultural context.
Sometimes these evil designs make the culprit commit some heinous crimes such as murder. Such instances of abnormal behavior are the popular subject of story writers who try to explore the sources of evil in the inner recesses of human mind
Thesis In this short story, the role of narrator is crucial, still there are some facts which make his narration unreliable.
Montresor, the protagonist of the short story, an aristocrat who values honour and his good name above all. He insists that he has been insulted by Fortunato, and wants to take revenge upon him.
Given Roderick Usher's moribund mind, the grounds and the house can only be expected to produce a disconcerting effect on the viewer. The house is haunted, not by the dead, but by the barely-living. Poe's depiction of a crumbling world introduces the fragile remnants of the Usher family and foreshadows their inescapable demise.
In fact Poe perhaps is the first great writer to deal with many of the issues of the unconscious, the subconscious, and the dark forces of the Id that were later exposed by such great writers as Robert Louis Stevenson, Sir Arthur Conan Doyle, and Jules Verne in the 19th century, and such writers as Franz Kafka, Marcel Proust, William Faulkner, Truman Capote, Steven King, and Joyce Carol Oates, and the film maker David Cronenberg in the 20th century.
After struggling to find his niche, Poe’s first book of poems was published when he was only 19 and he began writing short stories at the age of 23. In perfecting this form, Poe said: “If any literary work is too long to be read at one sitting, we must be content to dispense with the immensely important effect derivable from unity of impression”.
Poe contrasts this with the concept that family always leads to loss and the incapability of holding onto the family unit. The presentation that Poe gives about the family ultimately leads to the idea of loss and death of the family. The loss and death of the family is one that Poe describes not only with death, but also how this leads to bondage.
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