Hemingway's Cat in the Rain - Literature review Example

Summary This is a summary on the article, “Hemingway's "Cat in the Rain": a reproof of the self ” by John V. McDermott retrieved from http://www.thefreelibrary.com/Hemingway's+%22Cat+in+the+Rain%22%3A+a+reproof+of+the+self.-a0255494820 Ernest Hemingway's "Cat in the Rain" suggests a story that reveals the fact that any individual’s first priority is to please the self. Indeed, the woman's words and actions qualify the effectiveness of the story to prove this. Notably, in the introductory paragraph, both the woman and her husband has a myopic vision which is lowly sensitive compared to the "Italians” who came to look up at the war monument. Indeed, the article portrays the selflessness of the Italians’, which contracts the attitude of two Americans, Susan F. Beegal, and Hemingway's. Moreover, Hemingway's second reference to the Americans’ self-concern contrasts with that of the “Artists” in that the Americans did not appreciate the wonders of nature or the creativity of others as the artists did. Furthermore, the article portrays the egotism of George the husband that hinders him from recognizing his spouse as a person who equally seeks to please herself. Nevertheless, Hemingway uses repetitive passages to arouse emotion in the viewer thus countering the idea that the story is limited to a woman's point of view. Assuredly, George evokes specific actions by deriving the wife's realization that in his eyes she is an invisible person. Moreover, the wide use of symbols depicts that some people can actually change for better. Notably, the use of symphonic tones, expressionistic structures, and subtle, complex symbols that manifest self, derive depression and isolation.  This is a summary on the article, “A Foul Mood, a Dirty Joke: Hemingway's "Cat in the Rain" by Griffin, Peter retrieved from http://www.questia.com/library/1G1-75496983/a-foul-mood-a-dirty-joke-hemingway-s-cat-in-the The story Hemingway's "Cat in the Rain" is an old story that has been there for about eighty years. Indeed, almost all books about Hemingway's give some information about the story "Cat in the Rain." For example, Carlos Baker gives the history of the story “Cat in the Rain" by saying that the story was about Ernest, Hadley, and the manager and the Hotel cleaner at the Hotel Splendide. In addition, Jeffrey Meyers identifies the American wife as a struggle for a femininity that will arouse her husband. He equally manifests her resounding desire for a compensatory cat that symbolized her wish to have a baby. On the other hand, Kenneth Lynn asserts that the story “Cat in the Rain" as portrayed by Hemingway’s manifests the capacity to critically analyze the insensitive way that men handle women. In the same breadth, Michael Reynolds details the composition of the story and confirms that “Cat in the Rain” was a magnificent story. Ultimately, the article asserts that the story "Cat in the Rain" was a creation of Hemingway in Rapallo, Italy, in February 1923. Indeed, the article confirms that Hemingway gave Gertrude Stein a sense of his mood at the Splendide Hotel. This is a summary on the article, “Risking nothing: American romantics in `cat in the rain” by Lindsay, Clarence retrieved from http://connection.ebscohost.com/c/literary-criticism/9711264750/risking-nothing-american-romantics-in-cat-rain Jay Gatsby represents the American romantic identity due to his romantic's sense of a singular selfhood. Moreover, he abandons his role in parentage and identifies himself heroically with exaggerated importance. The article reckons that the story "Cat in the Rain" explores the American romantic quest for identity. Indeed, due to the desire of the American tourists there is immense corruption in America. Notably, the opening sentence to the story depicts an American story. Assuredly, the presence of only two Americans in the hotel generates cultural tensions that form the story's principal dynamics. Additionally, the second sentence portrays the personal and cultural isolation of the couple, which heightens as they move across the room. The author establishes the thematic significance of the rain and derives a moral superiority for his own artistic perspective. Notably, the rain contradicts Americans fair-weather desires. We can deduce that Hemingway uses allusions to determine the character's consciousness. The fragments of Arnold’s language defy the romantic past and offer an ironic context for the romantic drama in the hotel. Additionally, the cat in the hotel is a female and does not envy dripping. The conversation between the wife and the cat and the caressing symbolize romantic emotions on the woman. On the other hand, we derive the husband’s romantic identity manifests from his first utterance. We can also note that Hemingway uses the bilingual capacity to assess the relationship to and desire for foreign values. Ultimately, we establish that history, culture, and economics. Ultimately, Hemingway desists from asking us to value or privilege identifies the American husband although it is much easier for a European. This is a summary on the article, “When you look away: “Reality” and Hemingway’s Verbal Imagination” by Shigeo Kikuchi retrieved from http://www.researchgate.net/publication/30432296_When_you_look_away_Reality_and_Hemingways_Verbal_Imagination There have been wide discussions on literary texts, which include Hemingway’s “Cat in the Rain.” Notable, literary critics and linguists entail David Lodge, Ronald Carter, and Michael Stubbs. There are various effects produced by the use of specific verbal details in Hemingway’s story and the underlying ethical message by the author. The various stylistic and narrative techniques include the unquestionable George’s identity and the creation of fiction by “the cat in the rain.” There are numerous questions regarding the Hemingway’s “Cat in the Rain.” The question about the cat is very dominant. Indeed, we only come to see the cat through the American woman’s eyes. Assuredly, Hemingway’s verbal technique misleads Ronald Carter and Michael Stubbs into assuming that the cat is small. Actually, Ronald Carter even denies that the identity of the cat that the house cleaner brought up is the one in the rain. Additionally, the techniques, which include the moderately distant location of the room and the two words suggestive of the cat’s size, prevent the reader from establishing the cat’s real size and sort. Moreover, the aspect of the husband lying in a specific position equally makes it difficult to identify the cat. Indeed, the location of the room, the single witnessing, and the woman taking her eyes off the cat diminishes the identity of the cat. As a result, the unidentifiable cat is named “Cat in the rain.” Spatial confinement in Hemingway's "Cat in the Rain http://search.proquest.com.libwin2k.glendale.edu/docview/195669023/13E7F64F8FE65194A60/1?accountid=27372 Ernest Hemingway takes a different dimension in the context of poststructural naratollogy. In this article, he takes on Barthe’s theory primarily known as narrative codes. The primary objective is to deconstruct a text using diverse points such as social, cultural and aesthetic factors. Indeed, what he does is to dissect a text into semic, symbolic proairetic, hermeneutic, and cultural codes. Contrary to the most commonly used method of analyzing a theme or discourse of a given text, Heningway does things differently. He articulately dissects text into paragraphs, sentences which now act as the basic discussion units. As a demonstration, he divided the text into five scenes each with a distinct topic. However, each scene carries a different meaning, which can be deciphered from the codes. A good example of a code is the cultural code which simply means the collective behavior that has become generally accepted with time by a given community. Read More