Literal Analysis of Cat in the Rain by Ernest Hemingway - Essay Example

For instance, the wife lacks the attention she desires from her husband; this makes her become compact in an attempt to please him. First, the reader meets George and his wife, with the latter referred to as the "American Wife" within the initial sentence of the narrative. There is the absence of individuality in her lack of a name. She has no distinct identity; this is an indication that she represents all married women. This particular character gets confined within the little cage of a hotel room just as the cat is outside crouched under a table, likewise trapped by the distress of rain.

Hemingway's picking of words means that she perceives the restraints getting lifted the moment she left her hotel room while leaving her husband behind. Additionally, Hemingway presents other proof for George's restraints through the presentation of the hotel keeper, whom his wife has a liking for. (Benson 34). At first she is incapable of getting herself outside the cage where marriage has positioned her. Meanwhile, George turns out to be unhelpful since he rarely pays heed to her when she requires his care.

This is obvious when she spots "a cat.crouched under one of the dripping green tables"(Par. 5). Although her husband offers to assist her, he does this while resting on his bed without even making any attempt of waking up. Secondly, she appears to be relating with the cat, "the cat was trying to make herself so compact so that she would not be dripped on” (Par. 5). She certainly feels the constraint that George puts on her; therefore in an attempt of pleasing him, she makes herself compact exactly like the cat.

On the other hand, the wife opts not to speak about the constraint George puts on her; instead she only feels it; this is because, she is undergoing transformation from the American wife to being the American girl. In the eyes of the public, a girl appears to have less constraint owing to her youth, as well as her innocence; a wife has the duty of protecting her, as well as her husband's image. She feels the constraints getting lifted the moment she leaves her hotel room while leaving her husband behind.

There is other proof for George's constraints provided by Hemingway through the presentation of the hotelkeeper that the wife likes. For instance, he portrays as an "old man and very tall"(Par. 10), that the wife gets attracted to like, particularly his various qualities like "the deadly serious way he received any complaints.his dignity.the way he wanted to serve her" (Par. 10). On the other hand, Hemingway never says a thing concerning the wife either loving or liking George; this supports the perception of him putting some restraint on her.

It is obvious that first, George dismisses all the trivial things said by his wife while at the same time, failing in providing her the attention she desires; this makes her feel the need of demanding it. As a result, she feels that she lacks the freedom of expressing herself, something that led to her keeping most of her feelings within. The story is in one mood that constantly and directly heightens; it begins from the start whereby it gets created through a persistent, as well as repeated use of the word “rain” with several phrases associating the word “rain” such as puddles, deserted square, as well as glistening war monument.

This is a clear indication that repetition happens to be one of the extensively used, as well as favorite stylistic devices applied by Hemingway. He uses it in revealing the relationship