The Silken Tent by Robert Frost - Essay Example

From this research it is clear that in the poem “The Silken Tent” by Robert Frost, the speaker in third person points to the theme of love and forms metaphor with the beloved maiden who is likened to the silken tent. Since the immediate purpose of the piece is to promote the poet’s perception of love and relationship, Frost prefers to deliver the figurative content via the romantic style of Shakespearean yet modified sonnet of fourteen lines in iambic pentameter. With this measure, a colorful narrative of a lover’s affectionate concern is exhibited beginning with the ‘breeze’ of the ‘sunny summer’ which is meant to describe how one attains to the feeling of security deep within as reflected through the line “So that in guys it gently sways at ease”.

The word ‘silken’ may be thought of as an appropriate adjective to something attractive or charming by nature that it can yield immediate association to woman whereas the use of ‘tent’ may closely indicate home or shelter which is one characteristic linked to the love of a female counterpart. While the “supporting central cedar pole” flexibly gives property to the physical tent, in the context of “The Silken Tent”, it can be attributed to human strength or the steadfastness of a loving relation which, in the following line, makes an extended metaphor with “its pinnacle to heavenward”.

Frost desires to share his own philosophy of love which, apparently, must constitute the “sureness of the soul”.. oughly proper descriptions in the utmost degree of rigid fashion where at the end of reading, it would feel that the central piece of the story has been communicated in bold details so much so that any character involved with the special raft can be acknowledged to dissolve around it or be treated with fading significance. Connell utilizes the objective or dramatic viewpoint in presenting “The Yellow Raft” and this is particularly evident in scenes when the author does not quite regard the specifics of the wounded U.S. Navy pilot whose aircraft crash-lands onto the ocean of the South Pacific after being hit down.

As such, though the story points to “bloody human band” in reference to the effect of the incident on the Navy fighter, no concrete physical pain or emotion is claimed to have come to the man’s senses except the shallow observation that “he dragged himself into the raft and lay there crying bitterly.” The saving essence of the inflatable life raft makes the thematic relevance of Connell’s creation of “The Yellow Raft.” Because the human character later depends on the taut rubber for survival after the plane crash, the squeaking object that appears to struggle in coping with the troughs and crests of each colossal wave occurs to assume the role of the chief character in the process.

Such approach justifies Connell’s inclination to naturalism whereby at an aspect, if a prominent moment of critique were to be granted the pilot then he could be perceived to have signified the value of hope in living as his movement depicts the manner by which he tries to exhaust resources within his reach in the dimension of nature based on his act or instinct as well as the accompanying brackish body of water that shapes the man’s response to the critical