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Connections: Art and Poetry - Essay Example

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Connections: Art and Poetry While the nature of art and literature has greatly shifted over the years, it’s clear there are a number of universal human concerns that have emerged across historical epochs and artistic mediums. When examining perhaps the most central artistic mediums of the preceding centuries, one notes the strong importance of literature, poetry, and the visual arts…
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Still, they are recognized as emerging from divergent artistic styles, with Shakespeare’s work constituting tragic drama, Donne’s poem understood as metaphysical poetry, and Durer’s work one of the visual arts. Still, perhaps the most pervasive theme linking these works is their meditation on death. Albrecht Durer’s work when compared to Hamlet shares the existence of a ghost-like figure. In these regards, one considers the ghost-like death figure in the picture and the ghost of Hamlet’s father in the play.

The two are connected as they always remind the reader and the people in the work that death is approaching. Another notable connection occurs between Albrecht Durer’s picture and Donne’s poem. In these regards, the main similarity is that the nature of death is depicted as approaching. In the poem this takes that place of the personification of death, while in the picture this occurs as death is visually behind the individual. In most clearly understanding connections, the link between Shakespeare’s ‘Hamlet’ and Donne’s ‘Death Be Not Proud’ are most pronounced as they share the medium of language.

One of the prominent links between these works is the investigation of what occurs after death. In large part this constitutes the underlining concern of Donne’s poem as he writes, “Die not, poor death, nor yet canst thou kill me./ From rest and sleep, which but thy pictures be,/ Much pleasure; then from thee much more must flow” (Donne, 4-6). In this statement Donne is indicating that while death is approaching it is ultimately impossible for death to extinguish this man’s spirit. One notes that this metaphysical notion is one that is characteristic of specific instances in Shakespeare’s Hamlet.

One considers Hamlet’s seminal ‘to be or not to be’ soliloquy as he states, “To sleep: perchance to dream:—ay, there’s the rub;/ For in that sleep of death what dreams may come, (Shakespeare, III, i). In this scene Hamlet has been considering whether he should kill himself and weighing the options therein. This leads him to consider that in this death it is possible that significant dreams or afterlife may occur. While in Donne’s poem this afterlife is understood to be pleasurable, for Hamlet it constitutes a great mystery to which he wonders about the possibilities.

While Shakespeare and Donne’s texts both explore concerns regarding death and metaphysical transcendence, it’s clear that Durer’s visual work similarly meditates on these concerns. This work has been examined as, “Durer's knight rides past Death on a Pale Horse, who holds out an hourglass as a reminder of life's brevity” (“Met Museum”). In these regards, in addition to exploring questions of moral virtue, also explores the impending nature of death. While Durer’s work places more emphasis on living the active life as a means of escaping death, Shakespeare and Donne’s work consider the nature of life after death more thoroughly.

Still, all three works call to mind the personification of death into a sort of spectre; this is seen as Donne’s work directly addresses the approaching death, Durer’s work has a visual depiction of it, and Hamlet’s deceased father becomes a prominent character in the drama. In this context

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