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Harold Pinter: An Absurdist-Existentialist Writer in His Play The Room - Term Paper Example

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The author states that Pinter portrays his major character as a woman who is trapped in a situation and who don't have any power to change her fate. The characters in the play are flat, and they are confused. The characters can’t predict danger and their actions are still futile to the danger. …
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Harold Pinter: An Absurdist-Existentialist Writer in His Play The Room
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Download file to see previous pages The Columbia Encyclopedia explains: "The peculiar tension he creates often derives as much from the long silences between speeches as from the often curt, ambiguous, yet vividly vernacular speeches themselves. His austere language is extremely distinctive, as is the ominous unease and sense of imminent violence that it provokes, and he is one of the few writers to have an adjective-Pinteresque-named for him. Pinter has written twenty-nine plays and twenty-one screenplays, he has also directed twenty-seven theatre productions. Many critics regard him as one of the figures of the Theatre of the Absurd (Esslin, 1964). Charles A. Carpenter (1973) recommends: “Absurd, which is one of the many different aspects of his works, functions as a means of getting into the reality that is Pinter's main concern”. In his own website, he writes: In 1958 I wrote the following: “There are no hard distinctions between what is real and what is unreal, nor between what is true and what is false. A thing is not necessarily either true or false; it can be both true and false” I believe that these assertions still make sense and do still apply to the exploration of reality through art. So as a writer, I stand by them but as a citizen, I cannot. As a citizen, I must ask: What is true? What is false? ‘The Theatre of the Absurd’ is a term coined by Martin Esslin (1964), who made it the title of his book on the subject. The term refers to a special type of plays which first became popular during the 1950s and 1960s and which presented on the stage the philosophy expressed by French philosopher Albert Camus in an essay named “The Myth of Sisyphus”. In his essay, he defines the human condition as basically meaningless (Esslin, 1964). The Theatre of the Absurd was undoubtedly influenced by the shocking experience of the horrors of the Second World War, which showed the unsteadiness of human life and its basic meaninglessness (Crabb, 2006). This terrible experience of living from 1945 under the threat of nuclear destruction also seems to have been an important factor in the rise of this theatre (Crabb, 2006).  ...Download file to see next pagesRead More
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