I am an international artist, practicing art for over ten years since graduating in MFA from London, in 2001. Apart from pursuing my love for art, I take extreme pleasure in teaching art to young students. I have been learning art for 15years and teaching it for seven years…
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EFA Studio Membership
Landing a studio membership at the Elizabeth Foundation will be my biggest achievement, more so because it has successfully nurtured artistic communities, and it is here that my artistic talents will touch new shores. Having trained at various prestigious institutions in Europe, in am confident that I can make the most out of the studio membership at EFA, where I can engage in testing my artistic abilities and overcoming my limitations. The studio setting will offer me a prerogative to indulge in my work and share it with those who are credible and appreciative of art. Art engenders insights into our very existence, and cultivates individuality and awareness. It is a multi-associative process and requires frequent interaction with one another and with the surroundings. Because of the recognition that the Elizabeth Foundation enjoys among artists, I wish to apply for a studio membership here, in order to interact with various artists and connoisseurs of art, and prepare myself for the upcoming studio projects in New York.
My art attempts to reconcile the past with the present, inspiring viewers to reflect on the cultural landscape of their personal and cultural history. Using various media, I often create installations expressing temporal moments, evoking a fundamental recognition of the nature and environment. I approach the subject matter on cultural landscape in a narrative way. My response to characteristics of the places showcased in my art often relates to my life experiences. In recent video works, I used elegant yet familiar atmospheric landscapes stimulating viewers to engage in an imaginative response. Using a blend of diverse media like spatial and video installations, I wish to transport the viewers into an imaginatively alert and contemporarily aware environment, exploring nature, people, life and current affairs. Through various installation art, I experiment with contact and communication between the art and the viewers. My art has three elements: “Atmospherics”, referring to installations that create an ambience within viewer’s perception, “Nature”, which refers to surrounding environment, and “Response”, which is the response of viewers within this space. Everything occurs in pairs - life & death, happiness &sadness, hope &fear, yin & yang, love &hate. This “duality” and fundamental dichotomy, set before the cultural backdrop of presence and absence, is the lifeblood of my creations. I, therefore, aim to evoke a blended exploration of this theme, to which the environment, viewers and artwork jointly contribute. I wish to instill in the viewer, a highly charged and nostalgic awareness of things long gone, occurring within the atmospherics of my artworks. Bronx Museum AIM Application Statement (200-word maximum) and a brief paragraph stating anticipated benefits of participating in the AIM program Artist Statement (200 words) My art attempts to reconcile the past and present, inspiring viewers to reflect on the cultural landscape of their personal and cultural history. Using various media, I create installations expressing temporal moments, evoking a fundamental recognition of nature and environment. I approach the subject matter on cultural landscape in a narrative way. My response to characteristics of places showcased in
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(“EFA Studio Membership Essay Example | Topics and Well Written Essays - 750 words”, n.d.)
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(EFA Studio Membership Essay Example | Topics and Well Written Essays - 750 Words)
“EFA Studio Membership Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.org/literature/1427602-efa-studio-membership.
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