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Analyze and 2 original works of art - Research Paper Example

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Can Serpin Art History: Ancient to Renaissance Classical Art: The Marble Statues of Hermes and the Old Woman Roman power was built and made manifest not only through its exceptional political power but also through its visual arts such as the Imperial marble monuments…
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Analyze and research 2 original works of art
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Analyze and 2 original works of art

Download file to see previous pages... However, there are exemptions and contradictions to the said expression of belief in art. An example of this can be exemplified through the marble statue of the Old Woman. At the present, both are located in the Metropolitan Museum of Art. These two pieces, when studied closely, have seemingly diverse themes in artistic approach. Both have also left numerous mysteries and secrets with questions and answers waiting to be revealed – revelations of stories each once told. In this light, this paper will focus on the mentioned classical marble monuments that exhibit extensive pieces of evidence about the classical period. It will describe each of the respective piece’s physical characteristics and figures. Then, an analysis of artistic style based on the classical techniques will be given. Thereafter, both will be compared based on the individual analysis conducted. The mentioned statues will also be historicized based on the prevailing themes they possessed. Such historical study will explain the type of society and political atmosphere where these statues were conceptualized. In the physical and technical attributes of the marble statue Hermes, it can be said that the piece is a close life size depiction of Greek god Hermes, the messenger to Zeus. It stands at 71 1/4 x 29 1/2 x 23 1/2 inches. The statue’s left hand, nose, and tips of some fingers have been duly restored in its present museum condition. Its artist, Polykleitos, displays Hermes with a graceful stance. One can begin to imagine how the sculpture came about. In the viewer’s plain sight, it was as if Hermes was present and posing for the artist. Polykleitos depicts Hermes’ stance using contrapposto, meaning “counter poise.” This particular stance applies all of the subject’s weight shifting to his left leg, with his right leg slightly bent ahead of the other. He stands tall, with might, shoulders back and head tilt forward. This pose causes the figure’s hips and shoulders to rest at opposite angels and gives it a slight and almost unnoticeable s-curve to the torso. The statue’s head is tilted forward, as if he gazes down upon something and with his left arm, reaching out for something. Such particular pose implies the notion of the god giving a hand out to travelers, as if to assist them in a safe and easy journey as many Greeks would do when they called out and made sacrifices to Hermes before any trips were conducted.2 The statue’s chitin is held at his left shoulder, draped off the body with remainder of the material gathered in the left arm. The marble statue of Hermes is of many similar Greek originals and Roman copies, as they constantly display desired physical beauty and idealism in lieu of concrete beauty and realism. It is from this technical characterization that the style where Hermes was based can be deduced. From what was mentioned earlier, the classical Greek art can be attributed to the themes of naturalism and idealism. The technique of naturalism is evident within Hermes through the very image of the Greek god where the male figure exhibits nudity. Nudity, in a classical and artistic sense, can be seen as being one with the natural world. The utter simplicity in physical attributes can be shown through the sole use of a piece of clothing draped upon one’s shoulder. This natural attachment to the world is the core ...Download file to see next pagesRead More
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