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Hence, Latino masculinity against the images of Latina beauty seems to be well shuttered. Traditionally, it is indicative of the Latino community that a woman is totally subject to a man. Here is the line of conflict. To say more, Latina representations in the field of contemporary showbiz affect Latino masculinity regarding hookups of Latina girls with the representatives of other ethnical identities. In this respect the figure of Jennifer Lopez is at the core of the discussion due to her relationships with black men which seemed affectionate or comfortable for her (Mendible 160).
This is why the way Latina beauty goes today affects the apprehension among Latino men. Third, Latinas are subjugated by the Western culture and the US dominance in Hollywood and filmmaking industry. As was aforementioned, it is all about the values each nation promotes for the cultural turnaround worldwide. In other words, the competition between Latinas in the US is too high due to the fact that all of them are still considered the second class of people living in the country (Mendible 15).
Overrepresented in the low (or even lowest) niche of the social life, the percentage of Latina beauties in Hollywood is to small to provide some radical change. Once again, due to the economic disparities among Hispanic and non-Hispanic white layers of the American society, there is plenty to talk on the “otherness” of Latina/o people according to the mainstreams cultural and showbiz standards and flows currently accepted in the US. Mendible points out in her study that this “gap” makes Latinas subjugated by popular media representations: Clearly, a complex.
As was aforementioned, it is all about the values each nation promotes for the cultural turnaround worldwide. In other words, the competition between Latinas in the US is too high due to the fact that all of them are still considered the second class of people living in the country (Mendible 15). Overrepresented in the low (or even lowest) niche of the social life, the percentage of Latina beauties in Hollywood is to small to provide some radical change. Once again, due to the economic disparities among Hispanic and non-Hispanic white layers of the American society, there is plenty to talk on the “otherness” of Latina/o people according to the mainstreams cultural and showbiz standards and flows currently accepted in the US.
Mendible points out in her study that this “gap” makes Latinas subjugated by popular media representations: Clearly, a complex array of competing interests and discursive forces produced the idea of “the Latin woman,” and it will take the collective efforts of Latino/a scholars, independent filmmakers, feminist writers, activists, and embodied others to slowly strip the myth of its power to bind and denigrate (15-16). To conclude, the issue of Latina sexuality and gender disparity within the Latino community is well established as a second-class way of entertainment for full-of-themselves Western consumers in the media sphere.
Notably, it is all about buying or selling beauty in order to get rid of the burdens of life in the array of lower niche of existence.
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