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Mira Nair: Cultural Profile - Research Paper Example

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Cultural aspect of Mira Nair Introduction Renowned New York based Indian filmmaker Mira Nair is known for portrayal of immigrant life away from their traditional culture. His major work consists of tales regarding families and characters struggling to find out their identities in a western world…
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Mira Nair: Cultural Profile
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Download file to see previous pages Mira Nair is especially known for her excellence in understanding the cultural difference which creates an invisible layer for non-natives and natives to reach to each other’s strata and to allow an environment that may bring up a harmony between them. In this paper, we are to explore various key-points and aspects of Mira Nair’s work which helps her bring out the internal agonies, cultural nostalgia, quest for self-identity and feeling of strangeness among non-natives. Major issues and conflicts Since very ancient times, world had been devised in two major sections consisting grand differences in their cultures and lifestyles: the division of East and West. Egyptian, Indian, Chinese and other eastern cultures are not developed over the Latin roots which are foundation for most of the western culture. In fact, Indian and Egyptian cultures are most archaic of all cultures. On the other hand, Europeans have their distinct heritage that grows over Latin roots. There are major differences in their axiology that provide an ethical background. For example Indians have a very traditional mentality towards marriage. In India, most of the marriages are still arranged by the parents of groom and bride. This concept comes out of belief that a bride does not belong only to the groom but she becomes a member of a new family. Subsequently, whole the family bears the responsibility of bride as well as they had for groom. It does not mean they do not allow a boy to choose a girl of her choice, rather they believe in family-system with such firm structure that they do not limit marriage as a contract between two people but they take it as a relationship between two families. Dating and even pre-marital meetings are considered ethically wrong until family is aware of couple’s interest in each other and allows them to go on with meetings for making a better understanding. Most of the Indian movies still do not have a kissing scene upfront; movies consisting of such scenes are repudiated by family audiences. When Indian families continue to follow their cultural and ethical structure in a western environment they often face very bitter questions from their kids who cannot understand the significance of their parents in preventing them from dating and making friend in opposite gender. On the other hand, Indians are very sensitive about making relationship in other cultures. This phenomenon is more prevalent in Muslims as compared to Hindus. When those families try to raise their children with their traditional cultural background, they find out that uncontrolled freedom and decentralized family structure of west gets involve in taking their kids away from their families and traditional roots. Nair often picks up issues that dwells somewhere around this difference of culture which evolves with many distinct problems for families of immigrants. As asserts Mukherjee: For Mira Nair, life in exile—voluntary or imposed—is always good material for cinema. In her next film, The Namesake, filmed in Calcutta and New York, she doesn’t stop at examining the theme of emigration, loss and a longing for home, but also explores the emergent dynamics within the Indian immigrant community in the United States. Choice of stories and characters Nair’s stories mostly take place in two types of environment: native cultural based places and ...Download file to see next pagesRead More
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