Nobody downloaded yet

Tito Puente - Research Paper Example

Comments (0) Cite this document
Ramakrishna Surampudi 11 May 2011 Tito Puente: An Institution Typing in the name Tito Puente in a search engine turns out millions of pages about the legendary musician, bandleader, composer, arranger, percussionist and entertainer. They mostly deal with his childhood, biographical details and the honors he won…
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER93% of users find it useful
Tito Puente
Read TextPreview

Extract of sample "Tito Puente"

Download file to see previous pages Tito Puente is a multi-faceted genius with versatility, innovation, experimentation, flamboyance and attitude. Above all, he was a great human being. Without throwing light on these aspects, any portrait sketch of Tito remains incomplete. Tito, born on April 20, 1923 in New York City’s Spanish Harlem, was seven years old when he was enrolled in 25-cent piano lessons (Hispanic Heritage). Fascinated by Gene Krupa, drummer, he started the study of percussion at the age of ten and first performed at the age of thirteen. In his teens, joined Noro Morales and the Machito Orchestra. After completing his study at the Julliard School of Music, he formed his group ‘the Piccadilly Boys’ which later became ‘the Tito Puente Orchestra’ (Puente, Tito). His 1958 album ‘Dance Mania’ was placed among the 25 most influential albums of the 20th century by the New York Times. Key to the City of New York (1969), James Smithson Bicentennial Medal, a Star on the Hollywood Walk of Fame (1990), National Medal of Arts (1997) and Grammy Lifetime Achievement Award (2003) were just a few of the innumerable honors conferred on him. Tito is considered to be the godfather of Latin jazz and salsa. However, to say that Tito is an artiste associated with salsa and Latin jazz is a simplistic statement. It presents things in too narrow a light to give an accurate and objective evaluation of Tito’s place, at large, in the world of music. Firstly, it would be injustice to Tito’s soul to brand him just a musician considering his notion that ‘if there is no dance, there is no music’. It is amusing to know that his original dream was to become a dancer. Eddie Torres felt it was a privilege to be identified as the Tito Puente Dancers (Salsa Dancing – New York Style). Then, as a musician, to limit Tito to mambo and jazz is a very inadequate description. His versatility ran the gamut of piano, conga drums, claves, bateria, tap drums along with saxophone and even clarinet. As for the nature of his music, it was only the roots that were Latin. These roots were aesthetically integrated with several other components like the Cuban sounds, the African sounds, the black jazz, the big band swing, bebop, Yoruba tradition, the vibes, the Oriental influence and Kenton progressive style. The integration was done in such a manner that the end product would be appealing to music lovers. It appealed first to a white audience and then to the entire world. Tito defied the Spanish cultural tyranny over Latin music. He brought the African percussion to the mainstream and thus ended the prevalent animosity towards African music. Thanks to his style, the black musicians could shed their inhibitions. Tito’s method was a skilful manipulation of the Afro-Cuban pattern to fit into the framework of the American big band prototype. He was adept in incorporating Latin rhythms in jazz and popular music. The song ‘Hong Kong Mambo’ from the album ‘Dance Mania’ illustrates Tito’s skill in bringing together Latin music and Oriental melody (McNeese 84). In the song ‘Varsity Drag Mambo’, he blends swing jazz of the Big Band style with mambo rhythm. Tito was known for his inclination to experiment with music. But in this process he was cautious not to interfere with the absolute beauty of music. When he went for improvisation in his orchestration, there were three ways in which he would do that. In the first type, the original melody would be completely adhered to. Only a ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
(“Tito Puente Research Paper Example | Topics and Well Written Essays - 3000 words”, n.d.)
Retrieved from
(Tito Puente Research Paper Example | Topics and Well Written Essays - 3000 Words)
“Tito Puente Research Paper Example | Topics and Well Written Essays - 3000 Words”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document


Celia Cruz

...with this arrangement, but they quickly warmed up to Celia and her music. Celia remained a member of the group for fifteen years. Celia experienced many wonderful events during her time as a musician. In 1966, Celia and Tito Puente collaborated on eight albums together. They did not do as well as they had hoped until they joined a different recording company. When Celia joined this other company, Vaya Records, she was introduced to and began working with the famous pianist Larry Harlow. It was not long before Celia was the headline performer at New York’s Carnegie Hall, an honor for any musician. In 1974, Celia was accepted into the group known as Fania All-Stars, which consisted of all of the top salsa...
2 Pages(500 words)Article

Reaction Time & Hemispheric Asymmetry

...-Scale Investigation of Lateralization in Cortical Anatomy and Word Reading: Are There Sex Differences? University of California, Riverside University of Florida, Gainesville. Computerized Diagnostic Imaging Center, Riverside. Neuropsychology. Author manuscript; available in PMC 2011 May 3. Published in final edited form as: Neuropsychology. 2009 March; 23(2): 210–222. doi: 10.1037/a0014265 Corballis, M. C. 1999 The gestural origins of language. Am. Sci. 87, 138–145 (1999).,_Puce,_McCarthy_TICS.pdf Galaburda, Albert M. Corsiglia, Joan. Rosen, Glenn D. Sherman, Gordon F. 1987. Planum temporale asymmetry, reappraisal since...
20 Pages(5000 words)Dissertation

Anything to do with Adam and Eve

4 Pages(1000 words)Essay

Term paper

...Latin American, Caribbean, Brazilian, and Cuban musicians. The genre added percussion rhythms, Afro-Latin American drums, and Portuguese chords into jazz. Dizzy Gillespie made the sub-genre prominent after he made a recording with Chano Pozo, a Cuban musician who made its connection to jazz and music in general permanent. Artists to be found in this sound style were Gonzalo Rubalcaba, Monty Alexander, and Tito Puente among others (Hardie 48). These musicians utilized their love and intimate knowledge of the Jazz genre to form and create their unique sound. Hip Hop Jazz can be taken as the last frontier for Jazz in music, which occurred as many rappers became aware of Jazz in the late 80s and early 90s,...
9 Pages(2250 words)Essay

Caribean Ensemble

...backgrounds, instrumental history, where all factors help to get a deeper understanding of --- at first sight --- famous and well-known composition. These interactions will find out the deeper layer of these compositions' reasoning, definitely. Additionally, except the aforesaid ones, there also were such as: 'Take 5: Dave Brubeck;' 'Tomorrow: Annie (The Musical);' 'Oye Como Va: Tito Puente;' 'Footsteps: Machel Montano;' 'Rolling the Deep: Adele and Paul Epworth;' 'I'll be There: Berry Gordy, Bob West, Hal Davis, and Willie Hutch;' 'Under the Sea: The Little Mermaid;' 'Oh, What a Night: The Four Seasons;' 'Hungarian Dance: Johannes Brahms;' 'No One: Alicia Keys;' 'Habanera from 'Carmen:' George Bizet;'...
6 Pages(1500 words)Essay


...? Analyze Rita Espinoza’s argument that her inclusion of Tito Puente’s music in her video is a fair use. Thinking about the concept of fair use, is her argument legitimate? What evidence might she use to back her claim? Remember to consider the 4 elements the courts use to determine whether an infringement has occurred. Will Espinoza be successful in her defense? Why or why not? 2. Analyze YouTube’s argument that it has complied with the Digital Millennium Copyright Act. Remember to provide any legal precedent or other evidence that YouTube can use in its defense. Will YouTube be successful in its defense? Why or why not? Sony/BMG, the copyright holder of Puente’s music, has filed a suit...
3 Pages(750 words)Essay

How successful was Josip Broz Tito as a ruler of Yugoslavia

...Josip Broz Tito’s success as a ruler of Yugoslavia Introduction: Early Days Josip Broz Tito’s early years contributed to his success as a ruler of Yugoslavia. After he failed the first grade, he moved to Sisak and began working as a locksmith apprentice. This job opened his eyes on the labor movement. He celebrated Labor Day. After years of working, he joined the union of metallurgy workers and the Social-Democratic Party of Croatia and Slavonia. In 1913, Tito joined the military, and in 1914, he participated in a fencing competition with the Austro-Hungarian Army in Budapest, and he won a silver medal. When the First World War began, the army sent him to Ruma. He was imprisoned in the...
4 Pages(1000 words)Essay

2010 Earthquake in Haiti

3 Pages(750 words)Research Paper

Journal 16

...Journal 16 Tito’s Goodbye Project A. Answer ALL of the following questions Examine closely how Tito treats his secretary and his clients. a. What is the reason Tito gives his secretary for sending her home early? What is the real reason? The situation presented in Tito’s goodbye starts with a heart attack on Tito. One cold winter afternoon, Tito sits in his office, and he asks the secretary to go home early as it was snowing outside. He was able to deduct the salary of the secretary each week. The real reason for sending her home early was to have time to reflect on his past life. His life’s last moment starts with brief nostalgia. He...
2 Pages(500 words)Assignment

La Clemenza di Tito

...La Clemenza di Ti Overture Excelsior College La Clemenza di Ti Overture Mozart’s works, including his final three symphonies have always received great appreciation and are considered as the highest peak of music during the classical era. But admiration also comes with criticism. This was the case in Mozart’s La Clemenza Di Tito and also in his final three symphonies. La Clemenza Di Tito received great applause in Prague, whereas it was turned down in other countries where it was performed. The final three symphonies were criticized for not having a clear focus. Wolfgang Amadeus Mozart was born in Salzburg. Since he belonged to a musical family, therefore, he learnt music from a very young age. He could...
4 Pages(1000 words)Assignment
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Research Paper on topic Tito Puente for FREE!

Contact Us