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https://studentshare.org/environmental-studies/1610659-i-dont-know.
“The Toxic Reef” portion of this side of the museum is rendered to serve the public view an insight into the unfavourable effects of toxic wastes and the levels of toxicity that occur to induce stress on the underwater corals.
Through certain architectural items mounted in the historic sites of the museum, it may be observed that such sculptures consist not only of the visual elements which artists had put to shape and form. Plant shelters like nests and moss-looking structures are embedded in the rigid pieces to serve the purpose of art and a haven for birds and other small flying creatures that seek places of refuge. This beautiful scene is likely schemed to attract visitors not merely with the classic and modern concept of art but even with the sight of dynamic nature that goes well with it. A couple of fellow visitors have remarked about experiencing the sight and sound of lovely singing birds that seem to dwell in comfort among the architecturally built vast figures.
In the conservation may also be found the “bee skep” which is said to be a conventional beehive patterned after the basic human invention of a honeycomb made of an upside-down coiled basket. On the outside, the “bee skep” appears too plain for a viewer who would expect a more significant detail, but on actually getting close to this exhibit, a specific unique smell lingers. At first, there emerges a strange sense of odour in smelling the material from the inside but in a longer span, the such odour becomes interesting, as though an instant connection to understanding the habitat of bees is established.
To this extent, a visitor realizes the essence of keeping the Indiana State Museum where, besides feasting on the delightful looks of human creations and versatile artistry, gaining of socio-environmental consciousness annexes cultural awareness. Consequently, the sentiment evolved for the pieces of art shown generates not just a simple appreciation of the aesthetic beauty of man-made still works but that such fascination extends to the inevitable concern of feeling with mother nature and assessing the degree of conserving act intended for it.