The plot of the story follows the life of a number of criminal gangs and iconic criminals. Tony Montana, the film’s main character, arrives in Miami as a refugee from Cuba. He lives in the camp with his close…
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The director of the film, Brian De Palma, adheres to the dictates of the genre theory. He develops a systematic plot that follows the life of criminals. He limits the story to underground industries that constitute the crime and gangster relations thereby upholding the features of the crime and gangster genre in films as the discussion below portrays.
Crime and gangster is a major genre in films. Genre is a system of classification, which categorizes things in groups of similar kinds. In films, the genre influences the process of creating films since every genre addresses a unique social feature and adheres to the identified intricate features of such categories (Grant, 2003). As explained earlier, crime and gangster is a major genre in films. Such films follow the sinister actions of mobsters or criminals. Every economy has different types of criminals who make up a large underground economy thriving on different types of criminal businesses. Such films therefore delve in the industry of crime following the lives and actions of criminals as they go about developing their gangs and the conflicts that develop among the gangs (Browne, 1998).
Scarface embodies the features of a crime and gangster film. The story in the film follows the life of a gangster, Tony Montana, as he enters the country and develops his criminal empire. The film shows the intricate features of the drug industry. Drugs are contraband products that dealers must protect both from the law enforcers and from rivaling gangs. In order to develop their illegal businesses, drug dealers engages in immense violence as they eliminate any forms of threats. Tony enters the industry when Frank Lopez approaches him with a request to kill a former Cuban official who threatened the prosperity of his drug market in the country. The film therefore opens up with the violence that characterizes the risky activities of criminals.
As is the case with
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The anti-war stance of the film was a risk both in terms of commercial logic and public sentiment. But its creators bravely took that risk and pulled off an impressive outcome. This essay will argue that, despite the modest box office success of the film, it is a major critical, cultural and cinematic success due to the bold portrayal of contrarian themes.
Various genres of movies have come about, with the film noir being a popular one. However, one such genre that came up as a novelty and established the trend of the Neo Noir, which became the amalgamation of science fiction and the film noir.
Additionally, forces influencing or guiding this change would also be determined. But first of all it should be ascertained what exactly is meant by the genre Action and Adventure.
It is obvious that to be eligible of becoming an Action and Adventure genre movie it s essential to have a good amount of action in terms of scene sequence and approach.
The book explored women in film noir through the different milestones in history. More than half her book discussed the evolution of the role of women in film noir during and after the war. The trend of using less glamorous male characters was explained as being necessary to offset the shortage of eligible men.
"Genre movies have comprised the bulk of film practice, the iceberg of film history beneath the visible tip that in the past has commonly been understood as film art." (Grant 2003. P. xv). Their exceptional significance may be realized from the fact that they are important in establishing the popular culture of cinema as a cultural and economic institution.
Williams writes, "Gratuitous sex, gratuitous violence and terror, gratuitous emotion are frequent epithets hurled at the phenomenon of the 'sensational' in pornography, horror and melodrama."1 This much about horror films is almost universally true, as well as relatively obvious.
The Green Mile provoked the British public to repeal the death penalty. The setting is the death row of Coal Mountain Prison in Louisiana during 1935; the supervisor, Paul Edgecomb (played by Tom Hanks), has several assistants. The floor of the aisle between the cells is painted green, so the last walk of those condemned to death, from their cell to the room with the electric chair, is known as the "green mile." Edgecomb's philosophy is to ensure that the last days or years of the men on death row are as calm and even as happy as possible.
The innovations made for this attempt in terms of the reader are tackling a gender issue through fiction and attacking gender-based paradigms that offer a shift of perception. For the market, coordinating with gender-based non-profit organizations for the sale of this fiction will help alongside utilizing the mainstream market.
For Shane the awe-inspiring backdrop of snowcapped peaks from the Grand Tetons dominate the horizon as the striking foreground silhouette of a young buck laps at running waters to introduce the somewhat tamer tale of fairly established homesteaders locked in a deadly struggle with cattlemen over the prized land (Crowther).
The fade-out is a technical element of French New Wave that reminds the audience that they are watching a film. Warm humanism is seen in the mise-en-scene that shows Antoine’s poverty with his tattered sleeping shirt, old clothes flung around the
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