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This song has a speaker just like any other literature. Prufrock is the speaker who effectively addresses a potential lover. He would force the moment to its crisis by hurriedly consummating their relationship, “Let us go then, Like a patient etherized; The muttering retreats," (Eliot 1). He then eavesdrops what people are saying about him and changes his decision and heart. This makes him to coward back and also reminds him of so much knowledge he has in life and not to "dare," (Eliot 40) mess it up.
This love song is a literary drama that contains the dramatic monolog . This is brought out by the specific utterances of a specific individual, not within the song at a specific moment in time. This is shown by, [They will say: "How his hair is growing thin!"] and [They will say: "But how his arms and legs are thin!"], (Eliot 4). These monologue utterances are also directed to the listeners whose presence are not physically felt but merely suggested, “Then how should I begin? To spit out all the butt-ends of my days and ways? And how should I presume?” (Eliot 6). This literary device also brings out the speaker’s character and attitude.
This love song is also rich in rhyme though; this rhyme is irregular and is not random. Refrain first makes this rhyme, for instance, "In the room the women come and go, talking of Michelangelo" (Eliot 30) and “So how should I presume?” (Eliot 60). Secondly, rhyme is created through the use of alliteration, for example, "Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys”(Eliot 30).