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https://studentshare.org/english/1495557-about-yang-fudong.
Just like any other work of art photography is an in-grown skill and the craftiness of photography is essential in determining the quality of a photograph. In this essay, we shall focus on Yang Fudong as the central reference in reviewing different aspects of art. In addition, we shall focus on the location; explore some details concerning the nature of the photographs and why his work of art is significant. Yang is an experienced photographer whose birth dates back to 1971 in Shanghai china. Unlike some professional photographers, yang Fadong’s involvement in photography is driven by his interest in films, photographs, and video.
In all his works, the main focus is to realize the full power of imagery in exploring subjectivity, experience, and thought. His ability to draw stylistically important details from the history of Chinese cinema is worth noting. This information is then presented in the form of open-ended narratives that combine a quotidian ritual with a dream and fantasy. In addition to his undisputable interest in art, yang is a trained painter with credentials from the china academy of fine arts in Hangzhou (Ye Jiang, 2011, p.1). Yang has been in the art industry for a long time which explains his experience and the ability to produce quality and moving works of art.
His venture into serious photography and artwork started in the 1990s when he worked in the medium of film and video. Photographs and pieces of art made by Yang Fudong are unique and stand out even when they are put together with other pieces of art. All his works portray a high level of cinematography and clearly prove his mastery of cinematic style. Yang also appreciates the diversity of art. He believes that art is not restricted or governed by a set of rules or conditions. The freedom of expression in art is evident through the various photographs, films, and paintings at the UC Berkley art museum.
The films have two major characteristics. They are open-ended and philosophical. This means that the films trigger questions that revolve around both history and contemporary life, particularly in issues that affect young people. The black and white film, seven intellectuals in a bamboo forest, which is adapted from a traditional Chinese tale-the seven sages of bamboo grove- is fantastic and a commendable work of art. He uses a romantic framework cautiously and courteously to preserve Chinese contemporary values to examine the societal and organizational structures in China today.
In this piece of art, yang examines China through the eyes of young urban intellectuals and tries to establish their thoughts and feelings. This portrays the real potential that art has in expressing people's thoughts, feelings, and grievances or problems that affect them in their daily lives. The Nightmancometh is a single-screen work that unveils the realm of historical fantasy to adequately encompass thought and feelings through the use of immortal characters. This piece of work is very popular among the many film, photographs, and paintings that Yang funding has developed in his lifetime.
In developing and presenting this piece of work yang settled for a neo-realism description rather than a historical or allegorical one. This method combines current and contemporary social factors in one piece of artwork. This film is a clear expression of the fact that when historical events appear and reappear, they seize being part of history and become part of the present or future. In viewing this film, the writer is taken through a series of changing emotions and thoughts as the warrior faces different circumstances.
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