Traditionally, Chinese families are well-bonded. Each one is concerned about the welfare of the other member. Mother trusts that America is going to provide suitable opportunities to her ‘genius’ child An-mei. She sincerely believes that An-mei shall not undergo the hardships experienced by her. …
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The historical context in which the mother lived is awesome, the miseries of war, the loss of offspring, and the issues related to coping up and adjusting to an entirely different culture! She thinks with a vengeance about the past and expects An-mei will wipe out the scars of bad memories of her life. She is not willing to settle for the ordinary success rate for her daughter; she wants her to be a prodigy. She has the latent desire that people should tell her that her daughter is so and so! In brief, she desires to be known through her daughter’s fame! She does not realize that skill can be achieved up to a certain level, but prodigies are born great and guidance is just an excuse for them.
Waverly Jong’s chess genius is the case in point. Mother is unable to gauge the essential difference between the two. Waverly takes to chess as the fish takes to the water. His fascination to the game of chess is instant. Mother wants An-mei to be a piano maestro, but the poor girl is not willing to take it seriously. Waverly stumbling across an old man in the park and getting a few pointers is just an excuse, for sprouting of the latent chess genius within him. An-mei gets extensive personal training from an inept teacher, and the outcome in the competition is on the expected lines—she plays badly!
An-mei is not willing to go by the dictates of her mother. She challenges her at every step and retorts, “I didn't have to do what my mother said anymore....
An-mei gets extensive personal training from an inept teacher, and the outcome in the competition is on the expected lines—she plays badly! An-mei is not willing to go by the dictates of her mother. She challenges her at every step and retorts, “I didn't have to do what my mother said anymore. I wasn't her slave. This wasn't China. I had listened to her before and look what happened. She was the stupid one,"(Amy Tan) An-mei is just not interested in following the dictates of her mother. . Earlier, mother has tried to conduct several experiments to unearth the genius in her daughter—she tries to mold her into a child actress, tries intellectual tests from popular magazines, without success. That she tries to mold her into a piano virtuoso is her final try. Mother does house cleaning services to meet the expenses of An-mei’s piano lessons and saves enough money to buy a secondhand piano for her. Even after her failure in the talent contest, mother expects her to continue practicing. This annoys the daughter and she protests bitterly, “I wish I'd never been born! I wish I were dead! Like them!” (Amy Tan)The persistent mother offers An-mei piano as the gift for her thirteenth birthday. She is shocked at the stubbornness of her mother. After her mother’s death, she accepts that gift and sits down to play it for the first time after the lapse of several years. When she discovers two parts, “Pleading Child,” and “Perfectly Contented,” of one song, she understands the big question behind the song. It hints at the inevitable tension between the two due to generation gap molded by the factors like age, ambition, experience and cultural heritage. The insistence of mothers that their children should achieve the best in life needs to be understood in
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(“The Joy Luck Club by Amy Tan Essay Example | Topics and Well Written Essays - 750 words”, n.d.)
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(The Joy Luck Club by Amy Tan Essay Example | Topics and Well Written Essays - 750 Words)
“The Joy Luck Club by Amy Tan Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.org/english/1467612-the-joy-luck-club-by-amy-tan.
As one of the mothers formed a club in China, the name of the book is reflected by this club nomenclature. The mothers try to share their past experiences with their daughters who have grown up in a different culture. While Suyuan Woo formed this club in China during the period of Japanese invasion, she continued the same, even after migrating to America.
Her narrative also serves as a bridge between the two generations of story tellers, and she provides voices for both herself and her recently deceased mother, Suyuan. She wonders: “What will I say? What can I tell them about my mother? I don’t know anything.
Amy Tan tells the story about the relationship between women and their daughters, mothers, aunts and grandmothers, about life itself. However, there is also a place for the opposite sex in this life. But the readers are to understand the men, depicted in this novel, through the prism of women’s perception.
This essay analyzes these two overriding themes of the novel: (1) relationships of mothers and daughters, and (2) generational differences. The final section of the essay discusses the importance of respecting and understanding previous generations, as exemplified by the narrative.
Unlike Jing-mei, Waverly’s narrative represents only the younger generation of the narrators since she has her mother Lindo to speak for herself. In China, Jing-mei finds a new side to herself that bonds her strongly to her mother; a side that she had previously ignored as an American.
Jing-mei and Waverly happen to be two important characters in the story, being the daughters of Suyuan Woo and Lindo respectively. The irony is that irrespective of their disparate personalities and talents, the predicament of Jing-mei and Waverly tends to be similar in many ways.
The film captures beautiful hues of human emotions and also captivates the life of Chinese immigrants in the United States, their joys and sorrows, grievance and gaiety along with their rise and fall. The film is co-written by Amy Tan and Ronald Bass and it stars Ming-Na, Rosalind Chao, Lauren Tom and along with many others.
As such African-Americans, Asian-Americans, Hispanics and the Native Americans, all are 'ethnic' groups: groups comprising people who are not European in origin, or white in color; either or both. Based on the same logic, migrant groups that have reached America after the end of the World War, also become a part of the 'ethnic' group.
And because of this, is Hollywood changing its' perception on Asian culture I don't think so.
We cannot deny that Asians are a cultural minority in Hollywood TV and film industry. In most films, unless the show is about Asians, you can hardly see any Asians in the cast.