The Prevalence of Rhetorical Practices in the Development of Artwork - Case Study Example

Critique Approach on Design Introduction Richard Buchanan viewed design in various perspectives. Mainly, he sought to define the approach from an artistic point of view. The author asserted the rhetoric nature of design exists when the society seeks association with the use of certain objects. The argument is that design serves to the evolution of different courses of life in the society following its influence in shaping changes. The other aspect of design correlates to the argumentative and rhetoric variables exhibited in every item of art (Margolin 96). Referring to the cabinet design from the Design Within Reach Incorporation, it is apparent that the applied modernist art relates to Richard Buchanan’s concept and reception. Fig. Image of a cabinet in the Design Within Reach Inc. Discussion of DWR Studio’s design of the cabinet in relation to the rhetoric concept The theoretical definition of design assumes that every artwork conforms to the dynamic preferences of distinct groups of users in the society. Presumably, the evidence accrued after observing the modernist artistic effects on a cabinet (bookshelf) confirms the prevalence of rhetoric character in concept and reception. For instance, the modernism artists embraced the construction of items to match the changes in the society. It is realistic that rhetoric concept is evident in the cabinet in its development from a series of chambers. The rectangular and square design of the item’s chambers implements the aspect of persuasion to the target group of users. The introduction of modernism to a generation that pursued academic and industrial activities in refurbishing the economic and technological aspects of the society influenced the cabinet’s design (Buchanan 17). It is significant to assume that the studio was confident of delivering satisfaction by developing the item. Precisely, the item’s cuboids in rectangular and square forms provoked the character of utility in storing different resources at a domestic and commercial perspective. Since the cuboids vary in width and height, it is arguable that the design was essential in the provision of choices to the users in the course of utilizing the item’s space. The item’s artistic approach provokes the target users to pursue transparent and ethical activities in any of their life courses. The evidence accrued towards the argument is viewable in the item’s artistic use of straight wooden materials in different dimensions and measures (Margolin 97). Further, the inclusion of white and cream colors is a rhetorical aspect of persuading people on a certain course. The argument is that the coloring approach provokes the need for peace in the environment. Different psychologists and philosophers argue the influence of color on emotional attributes and physical behavior as unprecedented; hence, the item’s color provoked the prevalence of peace in physical and psychological perspectives (Buchanan 19). It is vital to indicate the item’s trimmed shape and design implies professionalism and devotion towards success. Therefore, the design of cabinet elevates the domestic and commercial use in archiving or storing information materials. For example, the cabinet would serve as a home library for a student or any other individual. The item’s design excels in the presentation of the target users towards the art of reading and acquiring knowledge from different study materials. The aspect of “argument” in the cabinet The artwork’s design conforms to the modernist’s culture. A user can conceptualize that the item is essential in the creation of a home or office library. Similarly, the design’s characteristics of cuboids and bright colors imply the importance of the item in the creation of a peaceful or conducive environment. The argumentative aspect of the design is notable from the creation of multiple and neat chambers as petitions of the entire item. The middle part of the item is lower while the right and left parts slope upwards. The two ends of the item protrude outwards, a characteristic that provides space from the upper and lower sides. The artistic approach is correlative to Richard Buchanan’s critique of persuasive argument (Margolin 98). For instance, the Design Within Reach’s artistic approach sought to provoke the target users to acknowledge the item’s sufficiency in the provision of storage and reading space. The shape of the entire item implied the modernists’ perception of introducing a complex cabinet for use in professional and academic excellence. After reviewing the design’s attributes of color and shape, it is apparent that the object sought to exhibit competence in the elevation of a strong framework of utilities from a non-complex approach. Critically, the design presents the aspect of persuasion from the attributes in that the artists might have sought to assert that the item is essential in the acquisition of success in storing, retrieving, and acquiring beneficial information in a peaceful environment (Buchanan 21). Such emphasis is evident from the provision of lighting effects through the distended bulb at the left-hand side and a window at the other. Similarly, the middle deck of the item is white in color to provide the psychological and physical preferences of peace and light to the users. Critique of the item’s design in relation to the concept of architectonic arts It is apparent that the modern and contemporary society comprises a population whose culture defines their tastes and preferences towards the use of different products. Similarly, the modernism art culture led to the development of a product whose design matches the target user’s needs of storing and accessing information with ease. The artistic design emulates the concept of architectonic arts from its incorporation of gothic and modern approaches. Arguably, each of the cuboids conforms to the enlightenment period’s art design, which focused on the development of simple and precise structures to solve a distinct problem (Margolin 99). For example, a reading table from the gothic age would provide space for a group of people, while a shelf would be built at an accessible location in the same room. Therefore, Design Within Reach Inc. item excels in the presentation of the gothic designs through its comprehensiveness in the composition of reading and storage utilities. The item’s design develops a base to provoke the target users’ thoughts towards the possible benefits borne with the acquisition of the item. It is probable that the artistic inclusion of shelf and sitting space implied the ease in the accessibility of incorporating two related items to the creation of success in the set objectives. The item’s architectonic comprehension of arts is evident through the different colors to attract the target users’ interest. Arguably, a viewer could easily note the random use of light mahogany almost cream color in the cubicles. The other common color in the artwork is white, which probably serves as a complimentary to the nature of the item’s environment of use. Red color is present in the item on the electricity cables at the medium deck, an indication of either danger or luck depending on the user’s cultural background. However, the different colors including black depict emotions at a psychological and physical perspective; thus, the company’s design complies with Buchanan’s critique of architectonic arts (Buchanan 27). In emphasis, the renaissance, middle age, and gothic arts presented information through the implementation of distinct colors to insinuate different meanings. Conclusion The study has indicated the prevalence of rhetorical practices in the development of artwork. Critically, a review on the cabinet analyzed during the discussion declares the prevalence of psychological influence in the development of design. It is known through critical observations on the DWR’s item that the design insinuates value and satisfaction for the different groups of users. Mainly, the analysis has indicated that the item implements a psychological perspective for the target user to acknowledge its sufficiency in domestic and commercial utilities. Therefore, the item excels in the presentation of the persuasive argument. It is evident that the conception and reception of the item would reflect success in the modern and contemporary society following the evident aspects in architectonic arts (Margolin 106). Works cited Top of Form Buchanan, Kaja Tooming. "Creative practice and critical reflection: productive science in design research." Design Issues 29.4 (2013): 17-30. B Margolin, Victor. Design Discourse: History, Theory, Criticism. Chicago: University of Chicago Press, 1989. Print. Read More