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The Third Cinema - Essay Example

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Summary
The term was developed into an idea and a cinematic concept by Fernando Solanas (b. 1936) and Octavio Getino (b. 1935), members of that group in their manifesto "Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World," . …
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The Third Cinema
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The Third Cinema

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It was a reaction against making films the objects of commerce than art. It was a reaction to big commercial internationalism influencing the national cinemas. It was a movement against the cultural and political hegemony of the American commercial cinema over the subjugated under developed economies. Historically it was the continuation of a resistance to the dominance of the Hollywood’s commercialization of cinema and its duplication of products called national cinema in underdeveloped countries. Cinema is an art that developed from man’s incorrigible wish to record the movement and the moving objects, as it was the moving objects that interested him and not static ones. So the first film show, the Lumier Show was just a shot of a train coming into the railway platform. The viewers were not sure whether what they were seeing on the screen was real or myth. They were afraid that the train would come forward towards them and hence many were reported to have sat back on their chairs scared. This make-belief quality is the charm of cinema. On one side cinema is documenting reality, the reality of the train coming to the platform, here in the Lumier show. On the other hand cinema is making the viewer believe that the train coming towards him is real, making the unreal look real. These two qualities of Cinema led to the division of cinema into documentaries and feature films. (According to Ingmar Bergman “When film is not a document it is a dream”—The Magic Lantern Page73). ...Download file to see next pagesRead More
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