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Does Third Cinema Still Exist or Has Already Died - Essay Example

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The paper «Does Third Cinema Still Exist or Has Already Died?” gives a background of opposition cinema, trying to break the paradigm prevailing in modern cinema, replete with scenes of violence. Films created by Clarke and Haneke challenge the accepted formal structures of the First Cinema. …
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Does Third Cinema Still Exist or Has Already Died
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Download file to see previous pages The term ‘Third Cinema’ was coined by in the 1960s by two filmmakers from Argentina: Fernando Solanas and Octavio Getino. In 1968, after jointly directing a film: La Hora de los Hornos (Hour of the Furnaces), Solanas and Getino wrote their manifesto known as hacia un tercer cine (towards a third cinema). There the authors had identified three categories of cinema: the First, the Second and the Third World Cinema. The Third Cinema is a form of opposition to the film making institutions of the dominating nations of the world. For this reason, it has also been described as ‘militant cinema’. The Third Cinema is defined by its director’s conception of the world. It is not determined by the genre of the film or any particular political viewpoint expressed by the cinema. This kind of cinema first flourished in the 1960s. This was precisely the time when many colonized countries were rising in protest in the form of their National Liberalization Struggle against their western colonial powers. During this period, a group of film makers from the third world countries started making a new king of cinema. These were dynamic and politically stimulating films that represented the way of life and the political resistance in these less developed nations. Though these films were made on a variety of different themes, they were very different from contemporary western cinema. The directors of the Third Cinema wanted to provide expressions to the dissatisfied citizens of the third world countries who were already voicing their opinions on the economic and political exploitations of the western powers. Third Cinema provided the platform where people were allowed to argue, struggle and make experimental films which were a contrast to the usual entertaining cinema that was popular around the world. Solanos and Getino in their manifesto (1969) stated: “In the dependent countries, third cinema is a cinema of decolonization, which expresses the will to national liberation, anti-mythic, anti-racist, anti-bourgeois and popular”.           ...Download file to see next pagesRead More
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