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Therefore, like the social, economic, and political elements, which countries borrow from one another, design forms are considered part of a country’s culture, and countries borrow these or elements of these when they come into contact through the process of globalization. This has therefore, resulted in the globalization of designs today (Eldemery 2009). Nonetheless, the globalization or internationalization of designs is not wrong, neither is it disadvantageous to any country in major ways. However, various concerns have been raised today with regard to the globalization of designs. Primarily, some designs are distinct, and only identified with specific countries. These therefore, act as a kind of cultural identity of the countries. Therefore, when such designs are globalized, the country loses a part of its cultural identity, since the design will also be identified with other countries (Eldemery 2009). Therefore, despite the globalization of design forms, it is important for countries to uphold the cultural, regional, national, and local aspects, as these remain of great importance. This essay will, therefore argue the case for these factors being included as influences on design processes and outcomes. According to Kim (2010), the processes of globalization and internationalization have influenced different forms of designs in different countries, including the architectural designs. However, this was witnessed since the eighteenth century, especially among the East Asian design forms, which were highly adopted by most European countries. The various designs from East Asian countries that were adopted in Europe included fashion designs, architectural designs, and art designs, among others. For instance, the popular American architect Lloyd Wright is known to have adopted various elements from Lao –Tzu, including other design elements of the Japanese architecture. Nonetheless, only the outstanding designs by a country are most likely to be adopted by different countries. For instance, although Korea belongs in the same region with China and Japan, its designs, including architectural designs, have not attracted interest from outside countries, and this therefore reveals something about Korean designs, which might be unattractive to (Kim 2010). Nonetheless, the first factor, which is considered important to a country and its design amid the high level of globalization today, is mainly the cultural factor, which also includes the historical element. Culture is specific, as each community or society has its own culture, which is distinct, and might not compare to culture from other communities. On the other hand, culture of any community dates back to the historic times, although several components might show great changes today. Furthermore, the culture of a community is responsible for the identification of its people. Members of a community are identified by their cultures, including the various components therein. Architectural designs are components of the culture of any community, since each community has its distinct way of designing their buildings. Since this is crucial, countries need to preserve their historical designs, as these give meaning to their cultures, and help countries to restore their originality. An illustration of the cultural aspect might focus on Korea. The architectural designs of the Korea highly borrowed from the country’s philosophy, which is a cultural element. Kim (2010) notes that the Korean, “pungsu,” which was the Korean philosophy, contributed to the traditional architectural
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The major question
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2 Pages(500 words)Essay
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